Richard Hartley

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Age verification is coming to search engines in Australia – with huge implications for privacy and inclusion

New rules will radically change the way we use the internet in Australia, and not just social media

‘No long sermons’: how influencer Catholic priests are spreading the word of God online

Vatican invites 1,000 social media missionaries to digital jubilee conference

Obsessed with the Coldplay kiss cam story? I was too, until I realised the sinister truth at the heart of it

Nobody should expect to go to a huge concert and expect privacy, but the incident is a jarring reminder of the reach of the surveillance state and the internet’s insatiable appetite for public shaming, writes Arwa Mahdawi

The story of the Coldplay couple unfolded like a soap opera. But was the pile-on that followed a proportionate response?

We’re collectively trying to decide through digital telepathy what makes it OK to ruin someone’s life. That is an impossible task

Face age and ID checks? Using the internet in Australia is about to fundamentally change

New codes developed by the tech sector and eSafety commissioner come into effect in December, with major ramifications for internet users

Serial dating and push presents: love in the age of the algorithm is complex

Couples and singles let us into their idealised love lives online, but our role as viewers makes it more of a ménage à trois, says writer Zandile Powell

Archimedes knew the golden power of boredom – so why can’t we stop bringing our phones into the bathroom?

Being bored used to be a superpower, but now we have dopamine on loop to keep us endlessly occupied

Internet-safe iPhone for children goes on sale for £99 a month

High price of Sage handset that doesn’t allow searches, gaming or social media apps beyond means of many UK parents

AI chatbot ‘MechaHitler’ could be making content considered violent extremism, expert witness tells X v eSafety case

Tribunal hearing comes days after Elon Musk’s xAI apologised for antisemitic comments made by its Grok bot

Rosie O’Donnell dismisses Trump’s threat to revoke her US citizenship

Actor says she is latest in long list of artists, activists and celebrities to be threatened by US president

Cyborgs, snapchat dysmorphia and AI-led surgery: has our digital age ruined beauty?

From photo-editing apps to ‘Instagram face’, technology has radically altered the way we see ourselves. Ahead of a new exhibition at Somerset House, our critic considers the meaning of art in a digital age

Where authors gossip, geek out and let off steam: 15 of the best literary Substacks

More and more writers are publishing newsletters – but which are worth your time? From Margaret Atwood to Hanif Kureishi, George Saunders to Miranda July, here’s our guide to the best

A bit like AI, Elon Musk seems custom-built to undermine everything good and true in the world

The Nazi meltdown of the tech billionaire’s bot Grok leaves me asking: is this post-truth rock bottom, or have we further to go?, says Guardian columnist Zoe Williams

YouTube creators and eSafety commissioner at odds over whether to exclude platform from under-16 ban

Julie Inman Grant releases research showing younger children most exposed to harmful content on YouTube, but entertainers say ban would be a ‘great loss’

Children limiting own smartphone use to manage mental health, survey finds

Teenagers increasingly taking breaks as they control own use of devices rather than relying on parents to enforce limits, experts say

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • US authorities reportedly investigate claims that Meta can read encrypted WhatsApp messages
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • Will corporate America finally stand up to the Trump administration?
  • What to know about the jury trials of Meta, Snap, TikTok and YouTube
  • How the right won the internet
  • Alarm raised over Chinese CCTV cameras guarding ‘symbol of democracy’ Magna Carta
  • Ulez bomber: the retired electrician who turned bomb-making extremist
  • We have lost so much of ourselves to smartphones: can we get it back?
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • Can you guess our screen time? A priest, pensioner, tech CEO and teenager reveal all
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Elon Musk had more extensive ties to Epstein than previously known, emails show
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71
  • Melania review – Trump film is a gilded trash remake of The Zone of Interest
  • Jayasree Kabir obituary
  • Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity
  • ‘Innovating weather science’: Met Office launches new two-week forecast
  • First stills from Sam Mendes’ four-part Beatles film released in Liverpool
  • Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
  • Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary
  • This isn’t the film you are looking for: the Star Wars franchise is hamstrung by a massive identity crisis
  • Ṣọpẹ́ Dìrísù: ’If the west doesn’t say a film is good, that doesn’t mean it’s no good’
  • One adult for the 9.40am in Sittingbourne: a front row seat for Melania’s ominous UK opening
  • ‘Begging my boyfriend to get one’: Paul Mescal inspires yet another fashion craze with Hamnet earring
  • Reality winners: the rise and rise of the ‘verbatim’ movie

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