Richard Hartley

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Maga star Katie Miller’s new podcast reeks of toxic femininity. I listened so you don’t have to

The ex-Doge staffer and wife of Stephen Miller says she wants to reach conservative women – and her first guest is JD Vance

Russia restricts WhatsApp and Telegram, alleging apps used for fraud and terrorism

Calls via foreign-owned platforms curbed as critics say Kremlin is pushing for greater control over Russia’s internet

British sports teams and bodies ‘failing to safeguard’ women from online abuse

Most of Britain’s leading sports teams and governing bodies ‘still have no specific safeguarding policies’ to protect women from online abuse, research has found

UK traffic to popular porn sites slumps after age checks introduced

Figures from digital data company show effect of strict rules brought in last month under Online Safety Act

Cat soap operas and babies trapped in space: the ‘AI slop’ taking over YouTube

Nearly one in 10 of the fastest growing channels globally consist of mass-produced, surreal AI-generated videos

FBI and NSPCC alarmed at ‘shocking’ rise in online sextortion of children

Snapchat logged about 20,000 cases last year of adults grooming children online, more than other social media platforms combined

Why ‘grifter’ has become the go-to political insult of 2025

These days it’s not enough to disagree with opponents – it seems we have to accuse them of being con artists too, says Britain editor of the New Statesman, Anoosh Chakelian

‘We wish it never existed’: readers tell us about their family’s use of YouTube

Impossible to monitor, a gateway to dangerous content, or a great educational tool? As the social media ban looms, parents tell us how YouTube affects their world

We’re being deafened by digital noise. Pause it and you hear the sound of democracy in crisis

Step offline for just a moment and you see how democratic politics is struggling to cope with the pace of technological change, says Guardian columnist Rafael Behr

Can’t Look Away review – a harrowing, heartbreaking indictment of social media’s ruthlessness

Bloomberg journalist Olivia Carville follows a small legal outfit as it takes Silicon Valley’s most powerful companies to task for endangering young users

‘Children are entering a hellscape’: the terrifying film about grieving parents taking on social media giants

Sextortion, suicide scenarios, unwanted sexual advances – all this and more is served up to teens on their phones. Can’t Look Away tells a devastating story of bereft parents trying to hold the likes of Snapchat to account

Parents, don’t panic – healthy screen time for children is possible, if you follow these few simple tips

Yes, the huge firms pushing unsuitable content must be regulated. But until they are, adults can model the positive use of tech, says digital humanities academic Dr Kaitlyn Regehr

Social media battles and barbs on both sides of Atlantic over UK Online Safety Act

Farage accuses government of being ‘so below the belt’ as right wing doubles down on censorship claims

Knife throwing and cheeseburger spinning: the agony and ecstasy of being a viral trickshot video star

Think you could throw a basketball off a 540ft dam, into a hoop – while blindfolded? Meet the talented and ludicrously patient people putting hours into the internet’s most joyful (and pointless) clips

Social media ads promoting small boat crossings to UK to be banned

Change to border security bill will also make it a crime to advertise fake passports, visas and work opportunities

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • US authorities reportedly investigate claims that Meta can read encrypted WhatsApp messages
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • Will corporate America finally stand up to the Trump administration?
  • What to know about the jury trials of Meta, Snap, TikTok and YouTube
  • How the right won the internet
  • Alarm raised over Chinese CCTV cameras guarding ‘symbol of democracy’ Magna Carta
  • Ulez bomber: the retired electrician who turned bomb-making extremist
  • We have lost so much of ourselves to smartphones: can we get it back?
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • Can you guess our screen time? A priest, pensioner, tech CEO and teenager reveal all
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Elon Musk had more extensive ties to Epstein than previously known, emails show
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71
  • Melania review – Trump film is a gilded trash remake of The Zone of Interest
  • Jayasree Kabir obituary
  • Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity
  • ‘Innovating weather science’: Met Office launches new two-week forecast
  • First stills from Sam Mendes’ four-part Beatles film released in Liverpool
  • Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
  • Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary
  • This isn’t the film you are looking for: the Star Wars franchise is hamstrung by a massive identity crisis
  • Ṣọpẹ́ Dìrísù: ’If the west doesn’t say a film is good, that doesn’t mean it’s no good’
  • One adult for the 9.40am in Sittingbourne: a front row seat for Melania’s ominous UK opening
  • ‘Begging my boyfriend to get one’: Paul Mescal inspires yet another fashion craze with Hamnet earring
  • Reality winners: the rise and rise of the ‘verbatim’ movie

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