Richard Hartley

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‘LA is not film friendly’: how Hollywood’s woes became a political cudgel in mayoral race

Troubled Baywatch reboot production echoes film-making woes in a city best known for its movie and TV industry

Finding Emily review – warm-hearted gen Z campus romcom is impossible to hate

A Mancunian singer-songwriter becomes a viral divisive figure while trying to track down a girl called Emily

Mick Jagger to play Josh O’Connor’s father in new film from Alice Rohrwacher

The Rolling Stone will play a lighthouse keeper in Three Incestuous Sisters, joining a cast including Dakota Johnson, Jessie Buckley and Saoirse Ronan

Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt

The third film in Tarik Saleh’s ‘Cairo trilogy’ is a about a washed-up movie star who is bullied into starring in government propaganda

Hen review – plucky chicken beats the odds in weirdly uplifting survival story

In a feat of cinematic mystery and skill György Pálfi coaxes a tour de force from his poultry cast in this parable of animal and human interrelations

Notre Salut review – a novelistic telling of day-to-day life in Nazi-occupied France

Cannes film festival: Swann Arlaud is excellent as Henri Marre, the director’s great-grandfather, as he finagles his way into a job at the Vichy ministry of labour

Diabolic review – Mormon-country horror takes ayahuasca down to the creepy cellar

Underground doors and regression therapy – it sounds like a can’t miss for the genre, but the knockout blow is never delivered

The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love

Michael Bay to direct film based on US military rescue mission in Iran

Director of Armageddon and Transformers to team up with Universal Pictures for drama based on recent events

Jeff Bezos calls Amazon’s $40m Melania film ‘a good business decision’

The Amazon founder has denied any personal involvement in the film, which failed to recoup its budget on release

Pedro Almodóvar says film-makers have a ‘moral duty’ to speak out against the far right

‘Europe must never be subjected to Trump’ says Spanish film-maker at a Cannes press conference for his new film, Bitter Christmas

The lesson from John Travolta’s dramatic new look: always dress for the job you want

The first-time director admitted he wore a beret to channel ‘old school’ auteurs at Cannes – though mimicry can only take you so far, says Guardian fashion and lifestyle editor Morwenna Ferrier

Tom and Jerry: Forbidden Compass review – furry foes out of their depth in candy-coated Chinese adventure

Cat and mouse are transported to a quasi-medieval China in this luridly bright animation that has none of the inventiveness of the Hanna-Barbera originals

The Balloonists review – divas and disasters in tale of first round-the-world hot-air balloon flight

Polite documentary about Bertrand Piccard and Brian Jones, who faced off much wealthier rivals Richard Branson and Steve Fossett in the race to circumnavigate the globe

I See Buildings Fall Like Lightning review – sweet, sad portrait of gen Z discontent and disillusion

Cannes film festival: Clio Barnard’s absorbing tale depicts five friends who grew up together in Birmingham but now face divided destinies

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Brands using AI-generated influencers to promote products on social media
  • Film producer’s 50 firms struck off companies register, leaving workers unable to chase fees
  • Film producer’s 50 firms struck off companies register, leaving workers unable to chase fees
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • Texas environmentalists lose bid to block Musk’s SpaceX from closing beach
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • Key Trump allies and Musk on leaked list for secretive Peter Thiel retreat
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • Social media bans are trending. But it’s too late for my son and me
  • Skeleton of the world’s rarest marine mammal preserved by digital imaging
  • A viral doomsday scenario aims to shake Europe out of its AI complacency
  • Granta stops publishing short story award winners over AI controversy
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • I dived into my digital past to revisit my most cringe teenage moments – and realised how lucky I am to not be young and online today
  • Can we electrify the world? Ambition moves from nerdish backwater to centre stage
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • The Rev Michael Humphreys obituary
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake

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