Richard Hartley

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The 20 best corridors in film – ranked!

Ahead of the release of Backrooms, we invite you to lose yourself in our list of the most terrifying – and most inviting – hallway scenes in cinema

‘I felt my humanity was bastardised’: Cynthia Erivo says reaction to Ariana Grande red carpet incident rooted in racism

Wicked co-star said reactions to the incident, which included suggestions she was Grande’s ‘bodyguard’, reflect an insidious view of Black women

‘Impossible, exhausting, horrifying’: how a chilling supernatural play explains the terror of life in Iran

Hit Iranian horror Under the Shadow conjured scares from the aftermath of the 1979 revolution. With Tehran once again under siege, a new theatrical version makes that story feel more relevant than ever

‘Not many kids had gay dads who died of Aids’: Andrew Durham and Sofia Coppola on movie memoir Fairyland

Fairyland is a bittersweet film about a girl brought up by her gay father in a blizzard of glitter and feather boas in 1970s San Francisco. Its makers discuss its resonance, its tragedies – and their own boho childhoods

AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red

I draw the old way – with my hand. Doing it with AI would not make me more creative, it would drain the colour out of my existence

‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin

After winning the Grand Prix at Cannes film festival, the exiled auteur sent a direct message to the Russian president urging him to stop the war

The great Australian nightmare: how the housing crisis inspired a wave of brutal – and funny – pop culture

Soaring prices, rental stress and intergenerational inequality are fuelling new films, books and plays, including Birthright and Kill Your Boomers

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook

Debut from 20-year-old director examines memory, reality and fear after Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew

What We Ask Google by Simon Rogers review – the secrets of our search history

The company’s data editor trawls through billions of queries to deliver a portrait of the world’s preoccupations

‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing

The film-maker talks about her homeland’s ‘racism, paternalism and infantilisation’ towards Indigenous people and her award-winning documentary about a community leader’s murder

Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece

The Hong Kong action master’s deliriously violent 1990 epic fuses gangland thriller, war movie and tragic melodrama into a spectacular vision of greed and moral collapse

Kiln-free recycled tile startup agrees pilot deal with major UK supplier

Dekiln to scale up its low-carbon technology with Johnson Tiles, in boost for struggling British ceramics industry

Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun

All smoke, shady dames and black and white cinematography, Marvel’s latest Spidey offering is fast, witty and confident

Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama

A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban

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