Richard Hartley

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Magic Farm review – Chloë Sevigny can’t lift flat comedy of inept Americans abroad

A farcical tale of entitled New Yorkers arriving in rural Argentina to make a docuseries is too limp and underbaked to hit its targets

Atropia review – military roleplaying satire is a frustrating jumble of ideas

Alia Shawkat and Callum Turner are participants in an odd exercise in a debut feature that never figures out what it should be

I’ve Never Wanted Anyone More review – Goethe’s Werther remade as charming contempo romcom

An 18th-century love triangle relocated to the well-to-do of modern Toronto is big on banter and farce even if real passion is sometimes lacking

Oh, Hi! review – promising romantic comedy takes awkward turn into farce

A couple’s weekend away turns into chaos when they find out they’re not on the same page, a clever concept that soon loses steam

‘Wonderfully sentimental’: why Defending Your Life is my feelgood movie

The latest in our series of writers highlighting their favourite feelgood watches is a tribute to Albert Brooks’s 1991 fantasy

‘I was 25 and done with playing a teenager’: Asa Butterfield on Sex Education, stage fright and his ‘terrifying’ one-man play

The actor was eight when he landed his first movie, and spent his teens working with the likes of Martin Scorsese and Harrison Ford. Now he’s making his theatre debut, in a role that mirrors his own experiences of big time rejection

If I Had Legs I’d Kick You review – Rose Byrne is a knockout in anxious dark comedy

The often under-utilised actor gives a monumental performance as a mother on the edge in an exhausting spiral of a movie

Twinless review – dark, inventive comedy takes an unexpected path

James Sweeney’s tightrope-mastering mix of genres and tones is an incredibly effective feat, veering from funny to creepy to devastatingly sad

Florian Wild: the 10 funniest things I have ever seen (on the internet)

Need to keep the existential ennui at bay? This comedian and drag artist shares what makes them laugh, including an AI attempt at ballet and some naughty horses

‘An unmitigated joy’: why Married to the Mob is my feelgood movie

The next entry in our series of writers recommending their favourite comfort films is a tribute to Jonathan Demme’s zesty gangster comedy

Mother Father Sister Brother Frank review – frantic night of murder, mayhem and family bonding

This tale of nice ordinary folk doing bad things is a cartoonishly grisly comedy with a hint of Fargo, though without the off-kilter humour

Don’t Look Up director says ‘half a billion people’ have now seen film despite critics

Adam McKay says the Jennifer Lawrence and Leonardo DiCaprio-starring satire resonates with a widespread feeling of being deceived by government and media

Back in Action review – Cameron Diaz and Jamie Foxx slum in Netflix comedy

Combined star power only takes this overfamiliar caper so far, let down by an unfunny script and a lack of originality

Tony Slattery obituary

Comedian and actor who found television fame in the 1980s on Whose Line Is It Anyway?

One of Them Days review – Keke Palmer and SZA take a bumpy but fun ride

The stars shine in bright and boisterous new buddy comedy, executive produced by Issa Rae, that only stumbles when it leans into cartoon

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About

  • About Richard Hartley
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Film & Tech News

  • Sean Penn to direct January 6 drama with Bradley Cooper set to star
  • ‘Don DeLillo gave me his blessing’: film director Ben Rivers on how fan mail from the Underworld author led to his latest work
  • UK defence spending plan ‘well short of what’s required’ and harder choices needed, says John Healey – UK politics live
  • Elon Musk’s unprecendented accumulation of wealth
  • Elon Musk’s unprecendented accumulation of wealth
  • ‘What an adventure Broadway will be!’ Paddington musical packs suitcase for New York
  • Russell Crowe says Gladiator II failed because ‘it didn’t have a moral core’
  • Thirst review – member-dismembering Icelandic gore fest rips it up in trashy 80s style
  • ‘David Bowie was a crazy workaholic’: Labyrinth at 40 – an oral history
  • The Death of Robin Hood review – Hugh Jackman darkens a heroic tale in grim drama
  • ‘He experienced a full life of trauma’: documentary explores troubled tale of Gregg Allman
  • ‘Streaming gave me a space to be myself’: Twitch creators on what it’s like to grow up on the platform
  • Girlfriends review – love and growing pains in queer coming-of-age tale that goes from Hong Kong to Taiwan
  • Alienated by Disclosure Day? You are not alone
  • Nightwatchers review – desperate struggle of migrant crisis under surface of picture-postcard ski resort
  • Florida lawsuit accuses TikTok of violating state’s child social media ban
  • Impact of social media ban for under-16s in UK hinges on how firm it is
  • The Guardian view on regulating big tech: the UK’s new, tougher approach to child safety is overdue
  • Technology secretary says she wants regulator to design plans for online age verification by October – as it happened
  • ‘The genie is out of the bottle’: parents react to UK under-16s social media ban
  • Forget makeup and tweakments: this is how we should be ageing gracefully
  • UK 16 and 17-year-olds: we would like to hear your views on the government’s social media ban for under-16s
  • ‘We’re coming for his ass’: Jane Fonda, Robert De Niro and Bette Midler target Trump at New York benefit concert
  • ‘What’s the opposite of a gay demon?’: The creepy new Australian horror film that’s getting global buzz
  • Man claiming to be One Nation branch official defended Hitler Youth and called Aboriginal people ‘stone age’ in racist posts
  • Spielberg’s Disclosure Day opens strongly at box office as Obsession, Backrooms – and Michael – smash records
  • Ian McKellen says he imagined destroying Mar-a-Lago for new Avengers movie
  • UK under-16s social media ban: which apps will be blocked and how will it work?
  • The Toymaker’s Key review – steampunk sci-fi animation is eclectic if overwrought
  • How Australia’s social media ban has affected families six months on

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