Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts

Being Towards Death review – Chinese hospital comedy drama uses plucky patients to ask big questions

A debt-laden caregiver attempting suicide is the catalyst for him finding new meaning to life from a ward of terminally ill patients in touching ensemble drama

Office Romance review – Jennifer Lopez’s romcom return is too much like hard work

Star makes for reliably charming lead in Netflix’s basic throwback, but co-star Brett Goldstein, and his co-written script, lack in fizz

Scary Movie review – spoof comedy returns but maybe it should have stayed in the 2000s

Successful jokes are thin on the ground in the musty sixth installment of the once-popular parody franchise, taking aim at everything from Scream to Sinners

Mark Williams: ‘I browsed tractor magazines with Robbie Coltrane on the set of Harry Potter’

The star of The Fast Show and Father Brown – as well as the original Arthur Weasley – on friendly death eaters, famous Brummies and Chinese trains

Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles

Bonnie & Clive review – cheerfully ridiculous Covid road trip heads for Cornwall

Bonnie has two days to get from south London to her grandparents’ house before lockdown in this super low budget British comedy

Miss You, Love You review – Allison Janney anchors affecting old-school grief drama

A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwback

Harpo speaks! New recordings reveal mute Marx brother chatting with audience

The comedy legend, who adopted his silent persona because of stage nerves, did occasionally address his audience, as revealed by a new archive release

The Breadwinner review – Nate Bargatze’s dated dad comedy loses us entirely

The comedian makes an unconvincing bid for movie stardom in a largely unfunny and old-fashioned feature-length sitcom episode

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’

The outspoken musician and film-maker talks I Love Boosters, his colorful follow-up to 2018 hit Sorry to Bother You, and the criticisms of his partnership with an Ellison

Ladies First review – Sacha Baron Cohen and Rosamund Pike come last in one-joke Netflix comedy

A misogynist is made to learn the error of his ways in this painfully dated and embarrassingly star-packed sexism comedy

Finding Emily review – warm-hearted gen Z campus romcom is impossible to hate

A Mancunian singer-songwriter becomes a viral divisive figure while trying to track down a girl called Emily

Eagles of the Republic review – seductive thriller of corruption and compromise in post-Mubarak Egypt

The third film in Tarik Saleh’s ‘Cairo trilogy’ is a about a washed-up movie star who is bullied into starring in government propaganda

I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag

The Sorry to Bother You director’s brash and outrageously funny new film, led by Keke Palmer, can be a little too scattershot to make an impact

Post navigation

← Older posts

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Water cannon deployed in second night of disorder after knife attack in Belfast – live
  • Elon Musk’s X not facing action from UK government over posts inciting violence in Belfast
  • Glenn Close and Ridley Scott among names set to receive honorary Oscars
  • The Guardian view on far-right violence: digital radicalisation is threatening democracy
  • Sales of Meta whistleblower’s memoir soar after Hay festival ‘silencing’
  • How to Talk Australians: The Movie review – viral web series lampooning Aussie culture gets big-screen adaptation
  • First trailer for Aaron Sorkin’s Facebook sequel The Social Reckoning
  • Actor Tyler Mane reveals he is having treatment for rare male breast cancer
  • Under the Shadow review – Leila Farzad is fantastic in this nerve-shredding tale of 80s Tehran
  • From An Evening With Gary Lineker to Dear England: what to watch to warm up for the World Cup
  • ‘It’s not about heroes and villains’: the triumphant return of long-lost indie I Shot Andy Warhol
  • Should you send that midnight text? 11 essential rules for phone etiquette
  • The best films of 2026 so far
  • Chinese activist in UK told by X that abusive deepfakes do not breach rules
  • Boogie Nights review – Paul Thomas Anderson’s porn epic is still gaudy, seedy fun
  • Global brands ‘likely’ using mineral that funds rebels accused of atrocities in DRC, investigation finds
  • Can a $159 Bluetooth sleep mask help you snooze better? I tested to find out
  • How Belfast knife attack became the latest far-right ‘trigger event’
  • Crackdown on tech platforms will go ahead despite US intervention, says No 10
  • Peabo Bryson obituary
  • Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular
  • ‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras
  • All signs point to Trump pushing AI growth
  • UK regulator orders social media firms to adopt measures to stop viral illegal content
  • Amazon’s main UK arm handed £7.6m tax credit as profits soar to £355m
  • I watched as Meta’s threats stopped Sarah Wynn-Williams from speaking – we must have stronger rights for whistleblowers
  • Bank of England warns of AI scams as deepfakes of Farage-Bailey fight spread
  • Think Musk the billionaire was bad? Brace yourself for Musk the trillionaire
  • ‘A man of great appetites’: what’s it like to be a dictator’s personal chef?
  • Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn

Contact www.richardhartley.com   Terms of Use