Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

‘Bored by all the sex and violins’: readers on Wuthering Heights film

Reaction to Emerald Fennell’s movie adaptation of Emily Brontë’s novel starring Margot Robbie and Jacob Elordi

Wuthering Heights is at its heart a story of class and race. Emerald Fennell has got it all wrong

By turning the novel into just a corset-heaving love story, the director has stripped it of what made it so boundary-pushing, says Guardian columnist Rhiannon Lucy Cosslett

Wuthering slights: why are film-makers afraid of casting Yorkshire actors as Cathy Earnshaw?

Wuthering Heights is inseparable from its landscape – but northern actors seldom get the lead role, instead are pigeonholed as stereotypical or supporting characters. This Bradford-born actor objects

My Sister’s Bones review – drab adaptation doesn’t deliver the dark punch of the bestselling novel

Despite the best efforts of the fine cast this psychological thriller about a war correspondent returning to her home town falls short of exploring the full scope of family trauma

O’Romeo review – Bollywood Shakespeare takes dive into grisly mafia queens territory

After hit takes on Macbeth, Othello and Hamlet, Vishal Bhardwaj’s Romeo and Juliet adaptation sees dead-eyed lovers drag one another to gutter and grave

Every generation gets the Wuthering Heights it deserves. And Emerald Fennell’s is for the always-online

Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami

Emerald Fennell’s Wuthering Heights is a big movie with a very small mind

The maximalist adaptation of the gothic romance shows great interest in production design but very little in character

‘The goal has been to demystify’: how a colonial Nairobi library was restored and given back to the people

Once a whites-only enclave, the grand McMillan Memorial library is one of three in the Kenyan capital that have been transformed for the community

A Prayer for the Dying review – pestilent western feels like a short stretched too long

Johnny Flynn and John C Reilly offer casting heft, but this moody, technically sound tale of an unfolding epidemic in 1870s Wisconsin lacks emotional substance

Arundhati Roy is right, not Wim Wenders – here are eight films that have changed politics

From ‘honour’ killings to nuclear war, some screen works have led directly legislative action – despite what jury head Wenders suggested at the Berlin film festival

‘I loved it!’: Brontë museum staff praise racy Wuthering Heights film

Staff at Brontë Parsonage Museum in Howarth embrace Emerald Fennell’s sex-laced take, while Emily Brontë’s most recent biographer calls BDSM version ‘a lot of fun’

Arundhati Roy quits Berlin film festival over ‘stay out of politics’ comment

Author says she is ‘disgusted’ by claim from jury president Wim Wenders that film-makers should remain apolitical

The Uncool by Cameron Crowe audiobook review – memoir of an awestruck insider

The film-maker and author narrates this vivid account of his wide-eyed adventures as a young music journalist in 70s America, hanging out with heroes from David Bowie to Led Zeppelin

Crime 101 review – bracing tale of master thief lifts a trick or two from Michael Mann

The pedal is pressed hard to the metal for this very stylish high-stakes armed robbery thriller starring Chris Hemsworth

Beyond Trainspotting: The World of Irvine Welsh review – uniquely funny writer holds court

The author discusses his writing, the movies it created and his own youth, but not all the interviewees in this documentary are quite so gripping

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • How Refugee Week film festival brings migrants’ experience home
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate
  • Tell us your favourite film of 2026 so far
  • As Spielberg confirms whether ET was ‘slimy or dry’, we enter a new age of the celebrity interview
  • La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’s Spain
  • Taliban order ban on smartphones as officials shown destroying devices
  • ‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges
  • The malignant rise of OnlyFans managers: ‘It’s exploiting. It’s grooming. It’s predatory’
  • Inspired by Ukraine, and worried by China: Taiwan teaches its citizens how to fly drones
  • Daveigh Chase, child star known for Lilo & Stitch and The Ring, dies aged 35
  • ‘It makes no sense’: 16- and 17-year-olds on UK social media ban

Contact www.richardhartley.com   Terms of Use