Richard Hartley

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Silent Sherlock: Three Classic Cases review – on the hunt with Holmes in restored 1920s mysteries

From stealing a photo for the King of Bohemia to battling the Napoleon of crime on a clifftop, Holmes is witty and watchable in these early Conan Doyle-approved dramas

Margot Robbie in red latex, Kate Bush impersonators and a pint of Emily ale: my crash course in Brontëmania

As Wuthering Heights gets a raunchy Hollywood remake, our writer takes a pilgrimage through Haworth, the village where its author lived – and finds her spirit still electrifying the cobbled streets and windswept moors

Preparation for the Next Life review – deeply felt story of love among the marginalised in New York

Bing Liu’s debut feature is an unflinching portrait of an undocumented Uyghur immigrant and a traumatised US veteran whose fragile connection is strained by their pasts

The Guardian view on reboots of A Christmas Carol and Paddington: refugee tales for today

Editorial: An Asian Scrooge, a break-dancing Bob Cratchit and a musical bear – new versions of classics keep stories alive

‘He’s the new Daniel Day-Lewis’: Margot Robbie defends Jacob Elordi’s Heathcliff in Emerald Fennell’s Wuthering Heights

Robbie addresses backlash to casting Elordi as a character described by Brontë as ‘dark-skinned’, while Fennell praises her female star’s ‘big dick energy’

Mr Men and Little Miss feature film in the works from Paddington producers

David Heyman has joined the French media company StudioCanal with plans to bring one of the bestselling children’s book series of all time to the screen

Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama

A traumatised Nigerian woman seeking asylum in Britain meets a kindred spirit in Joy Gharoro-Akpojotor’s evocative tale

Paddington: The Musical review – they’ve looked after this bear quite splendiferously

State-of-the-art animatronics, imaginative staging, fabulous performances and some marvellous songs about marmalade make for an evening that will fill you with joy and melt your heart

Where to start with Tom Stoppard: from Brazil to Leopoldstadt

The great playwright had a 60-year career in the theatre and also wrote scripts for radio and the screen – here are some of his very best

New film adaptation of Camus’s L’Étranger opens old colonial wounds

François Ozon’s handling of classic novel draws both praise and criticism, including from the author’s daughter

Primitive War review – it’s Green Berets vs dinosaurs in cheerfully cheesy Vietnam war gorefest

Set to an on-the-nose soundtrack of Creedence Clearwater, an elite squad of soldiers are suitably unprepared for their large-toothed assailants in this jungle thriller

Has Britain become an economic colony?

The UK could’ve been a true tech leader – but it has cheerfully submitted to US dominance in a way that may cost it dear

Wicked forever: the enduring appeal of The Wizard Of Oz

Musical sequel Wicked: For Good, enchanting audiences across the world, arrives as the 1939 fantasy continues to dominate pop culture

From The Death of Bunny Munro to Wicked: For Good: the week in rave reviews

Matt Smith is the ultimate bad dad in a Nick Cave novel adaptation, and the Oz prequel musical reaches the end of the road. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

The Thing With Feathers review – well-intentioned adaptation of Max Porter novella about grief

Benedict Cumberbatch gives an honest performance, but this is too self-conscious to challenge or work through loss with same power as the book

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • The best 4K wireless TV streamers for more choice – with no aerial required
  • The UK’s social media ban for under-16s has just empowered big tech
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Read a book? Join a club? Stare at a wall? Social media alternatives for under-16s
  • ‘It’s a scam’: Americans express unease over SpaceX’s influence on retirement savings
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • On the trail of the dotcom queen: how Julie Meyer left a pattern of unpaid bills, missing funds and broken dreams in her wake
  • Telegram questioned by Ofcom after arsonist who targeted Starmer-linked properties recruited on app
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • The Crunch: Climate refugees, visualising Elon Musk’s wealth, and the many ways to analyse the World Cup
  • California ‘billionaire tax’ makes ballot despite opposition from tech moguls
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • The Guardian view on OnlyFans: revelations of abusive middlemen merit MPs’ attention
  • Attorney general tells department to stop using X amid UK disinformation concerns
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Don’t wait for Prime Day. We found the 31 best early deals from Amazon and its competitors
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • We must be alive to the dangers of a UK social media ban – and the way to really help young people
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • Farage trying to block ‘Britcoin’ plans that could be costly for billionaire donor
  • The best LED face masks in the UK, tested: 11 light therapy devices that are worth the hype
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Gig workers are endlessly exploited. AI could make more of us share their fate

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