Richard Hartley

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‘An embodiment of white fears’: how zombies went from Haitian spiritual tradition to Hollywood monsters

Maya Annik Bedward’s fascinating new documentary goes beyond reductive imagery to place the zombie and vodou in their true historical context

Driverless cars are taking us on a road to nowhere

Some inventions, like the dishwasher, improve our lives. But driverless cars will lobotomise us

Two times a charm: Is Sandra Bullock and Nicole Kidman’s agelessness the real trick of Practical Magic 2?

A film about sisterhood with fifty- and sixtysomething female leads is something to cheer – but would it have been made if its stars had aged like mere mortals since the 1998 original?

From Chris Rock to Helen Mirren: 10 films to look out for at the Toronto film festival 2026

This year’s festival offers an unusual Patricia Highsmith thriller, an adaptation of a hit stage show, a harrowing prison drama and a new way into the Rocky franchise

‘People waited 24 hours for a potato!’: how viral queues help – and harm – restaurants

It has become common for people to wait in long lines for cafes, bakeries and ice-cream shops. But why? And what do the owners think?

La Femme Infidèle review – Chabrol’s eerie domestic thriller is a brilliant ballet of repression and fear

Claude Chabrol’s eerie 1969 film charts a complex marriage in which a husband suspects his wife is cheating on him

Pressure review – stormy weather in tense D-day forecast retelling

Andrew Scott finds levels of complexity in a stoic character based on meteorologist James Stagg, the man who persuaded Eisenhower to delay Operation Overlord, for this slick wartime drama

Pixel 11 Pro review: Google’s best pocket camera goes customisable

Solid battery life, snappy performance and quality software make for a great smaller phone with a killer camera

‘He goes to the dark side’: behind the scenes on the Shaun the Sheep horror movie

Aardman’s hero is back in The Beast of Mossy Bottom – a terrifying tale of frankenfood, pitchfork-wielding villagers and a monster with suspiciously stiff orange hair. Our writer meets its makers and moulds her very own Shaun

Instagram boss says users will be ‘overwhelmed’ with brand content in algorithm-free world

Adam Mosseri says platform’s algorithm ‘feels like a black box’ but company trying to give users more control after Labor announces opt-out plan

Lawmakers blast AI companies after researcher warns of human extinction by 2030

Former Anthropic employee Jacob Coxon said AI will become ‘superhuman systems’ that can cause human extinction by the end of the decade

Anthropic researchers say AI could cause human extinction by 2030

One researcher who resigned said many in industry believe that without regulation AI could kill off humanity

The Fire Within You review – overheated family Christmas boils up too many stereotypes

Edoardo De Angelis’s claustrophobic drama brings a raging mother up from Naples for the holidays, with a capon. What could possibly not go wrong?

Apple’s new CEO introduces himself at annual showcase: ‘I continue to be inspired every single day’

John Ternus helms his first major event as head of $4.5tn company, where he announces first foldable iPhone

Apple unveils folding iPhone Duo as new CEO takes center stage

The passport-size iPhone Duo serves as the first big test for John Ternus, who took over from Tim Cook last week

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Pensioners just above threshold shouldn’t pay income tax, says No 10 – UK politics live
  • Pauline Hanson’s daughter Lee working for a NSW One Nation senator remotely from Tasmania without ministerial approval
  • Gua sha looks good on Instagram – but is it worth the hype or a waste of time?
  • Bonnie Blue’s baby outrage – and the dangers of our extreme attention economy
  • ‘I created my mom and talk to her’: AI ghosts and deathslop are changing the way we mourn
  • Why this AI doomsday warning from former Anthropic researcher broke through
  • James McNeill Whistler review – painter’s work shines through attention-grabbing life story
  • The Debut review – Julianne Moore is a thrill in Jesse Eisenberg’s oddball comedy
  • Venice best actress winner says she signed on at Danish job centre days before her victory
  • She was the Royal Ballet’s first ‘young choreographer’ – Charlotte Edmonds’ next 10 years show how dance is changing
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • Are you outraged by Sydney Sweeney – again? More fool you
  • The best iPhones: which Apple smartphone is right for you, according to our expert
  • One of Sydney’s largest councils joins ban on ‘pervert’ glasses at local swimming pools
  • Louise Haigh: UK must heed warnings from AI experts
  • Fast, furious and potentially fatal: why are supercars suddenly so popular?
  • AI safety requires more than just slowing our pace
  • Why a decade of doomsday warnings failed to slow the AI race
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Trump facing AI backlash in Congress as push for guardrails intensifies
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Digital ID comes of age as pubs and bars get go-ahead for biometric scan tech
  • Benedict Cumberbatch on his Earth-saving eco film: ‘We are in the last grab of the extraction era’
  • The wilting rose emoji: what its rise and fall tells us about gen Alpha
  • Texas governor threatens to penalize datacenters not obeying water laws
  • AI-linked stocks slide after tech bosses call for slowdown in ‘reckless’ development
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Europe must build own AI or risk getting cut off by US or China, says ECB’s Lagarde
  • Microsoft proposes limits on its AI with code of conduct amid safety debate
  • Jeremy Thomas obituary

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