Supporters say more ‘transparency’ will prevent malign forces from flourishing – but the argument is profoundly flawed, says Nasar Meer of the University of Edinburgh
The revival of Nielsen’s 80s classic applies CGI and flashbacks a little too liberally, but there’s the odd glimmer of wit in an otherwise clunky script
One of the world’s most successful authors answers readers’ questions on his sources of inspiration, the colour of fear, knowing when to quit – and why manual labour is invaluable for writers
The film-maker and actor, who cut his teeth making indie comedies with his brother Mark, on the secret to movie-making success, his top tip for happiness – and why he loved Bad Santa