Richard Hartley

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‘We are seeing a new maturity’: how ‘extended reality’ is coming of age at the Venice film festival

At the festival’s pioneering immersive section, a ‘seamless evolution’ of VR and mainstream film-making is revolutionising narrative

Olivia De Zilva: the 10 funniest things I have ever seen (on the internet)

The Australian author shares what makes her laugh online, including a lot of Wendy Williams, Who? Weekly and Ice Cube’s 2025 take on War of the Worlds

Isabelle Huppert to headline 2026 Adelaide festival in ‘astounding’ role as Mary, Queen of Scots

The French screen and stage legend will star in Mary Said What She Said, a one-woman show created by late theatre luminary Robert Wilson, in March

Teen killed himself after ‘months of encouragement from ChatGPT’, lawsuit claims

Open AI to change way it responds to users in mental distress as parents of Adam Raine allege bot not safe

Mother review – Noomi Rapace is a fanatical Mother Teresa full of fury

Rapace plays the canonised Kolkata nun with hard-bitten intensity in a complex, lurid story that veers between faithful telling and bouts of fun

Caught Stealing review – Darren Aronofsky’s violent, chaotic and highly enjoyable crime flick

After Mother! and The Whale, Aronofsky’s new movie centres on a washed-up alcoholic former baseball star’s encounters with a villainous underworld

KPop Demon Hunters sequel talks under way between Netflix and Sony

The animated film about girl group Huntr/x has become Netflix’s most watched film of all time with 236m views and topped the North American box office at the weekend

US parents and teachers: share your experiences of AI in schools

We would like to hear what people think about the use of artificial intelligence in schools in the US

In the Nguyen Kitchen review – cooking up a heartwarming Vietnamese-French diaspora musical

Aspiring performer Yvonne dreams aloud in candy-coloured reveries that carry the hopes of a marginalised singer in a rarely-seen Parisian community

An influencer plagiarised my life story on TikTok. Social media thrives on mimicry – but this was a step too far

At its best, the internet can be a space where people share stories and ideas. But the line between inspiration and theft can easily become blurred, says writer Esme Hewitt

All the Lost Ones review – cottage-core fighters take on the neo-Nazi apocalypse

Jasmine Mathews has real star quality as one of a group of environmentalists navigating a violent rightwing dystopia

‘The most difficult word to say is “Cut!”’: an audience with Cannes conquerors Jean-Pierre and Luc Dardenne

They have won the Palme d’Or twice, and their latest offering about teen motherhood scooped the screenwriting prize. The brothers discuss their working methods, who inspires them, and what they disagree about

ChatGPT has its uses, but I still hate it – and I’ll tell you why

It’s bad for the planet and could make many jobs – including mine – obsolete. But my loathing runs deeper than that, says writer Imogen West-Knights

Daruma review – disabled veteran is landed with a four-year-old in soft-hearted indie road movie

A surly war vet takes in the daughter he never knew he had in a well-intentioned but overly sentimental film

Half of UK adults worry that AI will take or alter their job, poll finds

The TUC calls for a new approach to technology and greater input from workers on how it is deployed

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Nvidia’s Jensen Huang to testify to US Congress amid scandal, reports say, as CFO Colette Kress replaces him as interim CEO – follow live
  • The Guardian view on venture capitalism: investor profits are no industrial strategy
  • Jensen Huang was a busted flush at Nvidia – he had to go
  • Thanks to American oligarchy, Jensen Huang’s midlife crisis is a problem for all of us
  • Jensen Huang built an AI kingdom. Now he’s gone, will Nvidia’s ramparts be breached?
  • Ebenezer review – Johnny Depp’s Scrooge tries to exorcise ghosts of business past
  • Jensen Huang resigns as Nvidia CEO after alleged affairs
  • From washing dishes at Denny’s to rockstar of AI: the rise and fall of Nvidia’s Jensen Huang
  • ‘Goats are good. They listen’: the herder who defeated Montenegro’s military – and can identify her cows’ herby burps
  • US public workers are fighting to protect their jobs from AI – and some are winning
  • NAZA: how and where to watch the Guardian’s acclaimed Gaza documentary
  • Adam and Joe on spoofing ‘Christopher No-Laughs’ with a toys’ Odyssey – and Patrick Stewart’s haunted house
  • What’s behind Australia’s surge in teen extremism?
  • NSW’s latest news Instagram account has an unlikely group behind it: the Labor party
  • You can see everything on this list: the 20 most jaw-dropping documentaries – ranked!
  • AI helped UK defy expectations – but will economy’s resilience fizzle out?
  • Billions lost and markets roiled by one man’s indiscretion. Isn’t it now clear that these tech bros are too powerful?
  • Victorian Psycho review – Maika Monroe has a blast in unsteady horror romp
  • NHS England deletes ‘misleading’ claim 137 trusts benefiting from Palantir AI tools
  • ‘Maga is dead, Maga is effeminate’: why has the manosphere rejected Trump?
  • Nvidia board reportedly deciding whether to oust CEO Jensen Huang as stock price plunges
  • Allen review – what would happen if ET came back for Elliott as an adult? Turns out nothing great
  • Thursday briefing: What we do (and don’t) know about Alice Huang and the Nvidia affair
  • ‘I trusted a lot of people, and the wrong people, and I shouldn’t have’: Charlotte Kirk on navigating Hollywood
  • You had me at LOL: some notes for the You’ve Got Mail reboot
  • Grab the wigs – we’re going to the theatre! We meet the audience superfans going crazy for cosplay
  • Facial recognition errors put ethnic minorities at risk of wrongful arrest, police watchdog warns
  • Nvidia hires leading US law firm to investigate Jensen Huang’s relationship
  • Veteran actor Irma P Hall, star of The Ladykillers, dies aged 91
  • Tyler Perry’s The Gospel of Christmas review – Netflix unloads more slapdash festive fare

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