Richard Hartley

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Harvey Fierstein on Kinky Boots, addiction and survival: ‘When you get sober, it takes five years to get your marbles back’

He found roaring success on Broadway with Torch Song Trilogy, then appeared in blockbusters Mrs Doubtfire and Independence Day. But notoriety had a cost. The 73-year-old stage legend talks recovery, grief and why he’s taking aim at Trump

Michael moonwalks to $217m opening weekend, shattering box office records for a biopic

Michael Jackson biopic has shrugged off controversy, bad reviews and a troubled production to take $217m worldwide, including $97m in North America

UK government move to delay social media ban faces pushback in Lords

Peers and campaigners say proposal for three-year window to impose controls breaks promise of quick action

Scrolling and worrying: the hidden dangers of DIY diagnosis

Clients no longer just describe their symptoms, they arrive with screenshots of dense articles, AI chatbot information and the phrase ‘I’ve done my research’

Rita Wilson looks back: ‘Cancer was terrifying, but now I see it as a gift. It gave me an extra lease on life’

The actor and producer on being a teenage model, making My Big Fat Greek Wedding, and the secret to long-lasting love

Lena Dunham is right that fame is toxic. Unfortunately, we’re all famous now

Our lives are mediated through social media, which gives us twitchy main-character energy. No wonder we’re not enjoying it, writes Emma Beddington

Musk and Altman’s bitter feud over OpenAI to be laid bare in court

Tesla chief believes Altman broke company’s founding agreement – and legal battle promises to be explosive

Timothée Chalamet, Jessie Buckley … who will be the next victim of the internet’s confected outrage?

They’re just the latest stars whose banal pronouncements have triggered a wave of controversy. Surely no one, in their heart of hearts, cares that much, says freelance journalist Elle Hunt

Cannes AI film festival raises eyebrows – and questions about future

While emerging technology is banned from the Palme d’Or, an upstart movement is gaining investment and attention

Bad movies, good business: how sanitised biopics became a Hollywood staple

As interest in the lives of celebrities has intensified, we have become acclimatised to them curating and mercilessly monetising their image

Ukrainian action thriller billed as Saving Private Ryan for the drone age

Killhouse is based on real-life story of civilian couple saved from battlefield by Ukrainian drone operators

Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist

Met investigates hundreds of officers after using Palantir AI tool

Met says AI software unearthed rule-breaking ranging from work-from-home violations to suspected corruption

How AI’s threat to entry-level jobs is turning gen Z into ‘Generation Entrepreneur’

As AI erases the bottom rungs of the corporate ladder, some gen Z workers skip the entry level to become their own CEOs

Lure of being a social media chef means youngsters forgoing classic training, Michelin star cook warns

Industry figures say that going viral is no replacement for the classic route of apprenticeships and competitions

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Milburn says migrants not to blame for Neets crisis but falling immigration creates ‘opportunity’ – UK politics live
  • ‘Hidden datacentre tax’ costing Irish households millions, report says
  • EU fines Temu for failing to stop sale of illegal and dangerous products
  • Oura launches Ring 5, world’s smallest smart ring, as it heads towards IPO
  • The 20 best corridors in film – ranked!
  • ‘I felt my humanity was bastardised’: Cynthia Erivo says reaction to Ariana Grande red carpet incident rooted in racism
  • ‘Instagram truly is the new LinkedIn’: why gen Z is using social media to get hired
  • ‘Impossible, exhausting, horrifying’: how a chilling supernatural play explains the terror of life in Iran
  • Studio Display XDR review: Apple’s pro display shines very brightly
  • If you’re still on Elon Musk’s X, ask yourself this: why?
  • ‘Not many kids had gay dads who died of Aids’: Andrew Durham and Sofia Coppola on movie memoir Fairyland
  • ‘This isn’t freedom’: anger, anxiety and tears as Iran’s internet flickers back
  • The strange surveilled life of Piper Rockelle: why did a former child influencer decide to go on OnlyFans?
  • AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red
  • Lifting of internet restrictions reveals Iranians’ anger over food inflation
  • ‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin
  • The great Australian nightmare: how the housing crisis inspired a wave of brutal – and funny – pop culture
  • The best fans to keep you cool in 2026 – tried and tested
  • Tony Blair is strong on diagnosis, deluded on prescription: Britain’s ills can’t be fixed by him
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • Samsung memory chip staff in line for £310,000 bonuses after AI profit-sharing deal
  • People in the US: what are your views on Pope Leo’s comments about AI?
  • Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
  • What We Ask Google by Simon Rogers review – the secrets of our search history
  • ‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing
  • Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece
  • Nearly in one in five UK girls receive unwanted images online, poll finds
  • Kiln-free recycled tile startup agrees pilot deal with major UK supplier
  • Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun
  • Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama

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