Big deal-breakers are all very well, but the seemingly small things often tell in the end. How do they feel about sell-by dates? Will they walk out of a bad film? Not asking will come back to haunt you, writes Polly Hudson
A theatrical sensation since the 1960s, whose dramas included Arcadia, The Real Thing and Leopoldstadt, Stoppard also had huge success as a screenwriter
The turn-of-the-2000s produced a frenzy of cultural crystal-ball gazing. Two decades on those bold forecasts reveal as much about us as they do about the era itself