Richard Hartley

Technology, Photography & Film

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
    • About Richard Hartley
    • Richard Hartley’s Work
    • Location
  • Film
  • Tech
  • Digital Media
  • Publishing
  • Twitter
  • LinkedIn
  • Contact

Post navigation

← Older posts
Newer posts →

‘I never pass up a rewatch’: why Valley Girl is my feelgood movie

The latest in our series of writers explaining their most rewatched comfort films brings us back to 1980s LA

‘We’re not going to back down’: tiny Dorset B&B stands up to Airbnb’s legal bid to ‘monopolise’ letters ‘bnb’

Three little letters - bnb-side’s name is a play on the local b-side arts festival, but Silicon Valley colossus sees threat to global brand

Goody Goody review – intriguing natural childbirth horror lurches into demonic occult blowout

After Samantha Robinson decides a forest cabin in deep winter is the perfect spot to bear her child, it’s going to be a very bad shift for the doula and midwife

Lenore review – incel’s obsession with online influencer turns into anatomy of dislocated digital-age mindset

Digital-age Australian psychodrama tracks the shut-in mania of dangerously disaffected male fan, but doesn’t get inside his mind

Pixel 11 Pro Fold review: the foldable with the best triple camera

Big screen folder with slick software and advanced AI is just like a regular Android when closed

AI CEOs say they need to slow the pace of development. But will they?

After apocalyptic warnings about the the threats posed by AI, leaders like Sam Altman and Elon Musk backed Anthropic CEO Dario Amodei’s calls to ‘slow the pace’

Can you futureproof your career by choosing an AI-resistant degree?

Humans will have to compete with AI-powered virtual employees in the near future. Here are our tips for the last human holdouts

Prima Facie review – fiery one-woman play is flattened into a bland movie

Cynthia Erivo takes on the role Jodie Comer made famous for a pointless adaptation of a story about rape and retribution that loses the power it once had

We greet the news that AI could extinguish us with a glazed indifference. What is the way out of this nihilism?

There are several answers, and none of them will be provided by tech. One thing we must do is identify the ingredients for human flourishing

The Life and Deaths of Wilson Shedd review – Amanda Seyfried compels in wrenching prison drama

Tim Blake Nelson writes and directs a challenging, and unsettling, look at empathy and forgiveness that strikes a haunting note

Love of Your Life review – Margaret Qualley eats, grieves and loves in Amazon’s transporting saga

The actor gives one of her best performances to date in a smoothly made globe-trotting drama of a woman’s life after the loss of her husband

Onwards and Sideways review – Rhys Ifans and Laura Linney lift solid Parkinson’s drama

Toronto film festival: Shakespeare in Love director John Madden’s feelgood – and bad – comedy-drama is powered by excellent performances and authenticity

Babies review – Anna Kendrick and Seth Rogen embrace childlessness in breezy comedy

To be a parent or not to be a parent is the question propelling this often insightful yet largely run-of-the-mill riff on a Judd Apatow movie

‘Too little, too late’: critics perplexed and suspicious of AI leaders’ call for a slowdown

From the Trump administration to AI experts, plans by the Anthropic boss to boost safety have spawned a largely negative response

I Play Rocky review – crowd-pleasing Stallone biopic is heavy on fan service, light on real emotion

There’s a knockout central performance from Anthony Ippolito in this otherwise rather lightweight making-of comedy drama

Post navigation

← Older posts
Newer posts →

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Farage says a Reform UK government would stop unions funding Labour if they block £72m donations – UK politics live
  • Legend of Destruction review – starry voices grace animated telling of the Jewish revolt against the Romans
  • The best iPhones: which Apple smartphone is right for you, according to our expert
  • One of Sydney’s largest councils joins ban on ‘pervert’ glasses at local swimming pools
  • Louise Haigh: UK must heed warnings from AI experts
  • Fast, furious and potentially fatal: why are supercars suddenly so popular?
  • AI safety requires more than just slowing our pace
  • Why a decade of doomsday warnings failed to slow the AI race
  • Night of the Coyotes review – border-crossing role-play is tourist attraction in struggling Mexican town
  • Trump facing AI backlash in Congress as push for guardrails intensifies
  • Premature review – sunny charm provides screwball energy for surprise-pregnancy comedy
  • Digital ID comes of age as pubs and bars get go-ahead for biometric scan tech
  • The wilting rose emoji: what its rise and fall tells us about gen Alpha
  • Texas governor threatens to penalize datacenters not obeying water laws
  • AI-linked stocks slide after tech bosses call for slowdown in ‘reckless’ development
  • Elsinore review – Andrew Scott is astonishing as Ian Charleson in devastating Aids drama
  • Europe must build own AI or risk getting cut off by US or China, says ECB’s Lagarde
  • Microsoft proposes limits on its AI with code of conduct amid safety debate
  • Jeremy Thomas obituary
  • Did you solve it? Do you have the brain of an engineer?
  • Israeli minister threatens to strip Israeli film-makers of citizenship over Gaza documentary NAZA
  • Phones are the new cigarettes: why restaurants are discouraging and even banning them
  • Australia’s outdated technology is vulnerable to AI hacking attacks, signals chief says
  • Ancestors review – messy but moving ghostly drama about the Aids crisis
  • ‘The eye-gouging was very, very satisfying’: how we made cave horror classic The Descent
  • OpenAI urges UK lawmakers to rein in technology amid growing safety fears
  • In an age of superhero fatigue, Marvel’s best shot is to think small – and outside the box
  • Barrio Triste review – raw and dynamic portrait of anarchic slum life in 1980s Medellín
  • Zuckerberg says the science isn’t settled. But the harms of short-form video on the brain are starting to show
  • The Route to Cappyness review – capybara boosterism is an ode to the internet’s favourite rodent

Contact www.richardhartley.com   Terms of Use