Richard Hartley

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Mort à la révolution! Why UK film loves a failed rebellion

Paul Greengrass’s Peasants’ Revolt epic, The Uprising, is just the latest in a long line of movies depicting an unsuccessful attempt at remaking the nation

The missed opportunity of Jay-Z’s documentary series

Jay-Z in 8, the rap mogul’s HBO docuseries, covers his life and career in effort to mend his image – with no pushback. Why is he so fixated on the court of public opinion?

Hallowarrior review – apocalyptic Home Alone-style survival horror delivers inventive shocks

Debut feature from Ben Sottak provides outlandish Halloween-based scares, with Milly Shapiro superb as the naive yet resilient home-defender, Pumpkin

The one change that worked: numb with grief, I sat in the dark, surrounded by strangers – and began to heal

Life had come crashing to a halt when I lost my brother. But in the cinema I found comfort and a strange solidarity

‘I’ve become significantly more cautious’: six parents on limiting their kids’ social media and AI use

Quite a few parents aren’t convinced social media and AI are safe, and have been adapting accordingly

‘A rare indulgence’: why Black Swan is my feelgood movie

The latest in our series of writers explaining their go-to comfort films is a tribute to Darren Aronofsky’s dark and unusually satisfying ballet nightmare

A Fidai Film review – Palestinian collage film transforms suppressed footage into works of art

Using archive material of destroyed houses, terrorised children and dead bodies, Kamal Aljafari adds humanity to the reels by overlaying poems by Palestinian authors

AI less regulated than milk, Microsoft president says in warning over safety

Brad Smith adds to calls for tougher rules for AI, including ‘kill switches’ and legal obligation to victims of rogue agents

Deadline review – shocking threat sends tremors through authoritarian school

Set in a dystopian private academy rife with surveillance and cut-throat competition, Kiwi Chow’s gripping drama cements his status as an important film-maker

iPhone 18 Pro Max review: Apple’s biggest, heaviest and longest-lasting superphone

A giant screen, big battery, rapid chip and top cameras push the great iPhone 18 Pro to the max with a price tag to match

Australian government says online platforms have ‘responsibility’ to block US military execution live stream

Federal government urged to prevent Australians from viewing planned broadcast of Fort Hood mass murderer Nidal Hasan’s execution

UK to strengthen cyber defences as minister calls for AI firms to increase safety efforts

Kanishka Narayan to say Britain cannot rely entirely on tech companies amid rising global concern over AI dangers

Greens prepare for fight with Labor over social media algorithm reform, with ‘pervert glasses’ in its sights

Minor party plans to drive a bargain in exchange for support for digital duty of care legislation

Donations to major parties and an ex-premier as a lobbyist: how datacentres play the political game in Australia

As governments face community backlash for fast-tracking developments, big tech’s financial contributions face renewed scrutiny

Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey

The makers of Coraline return with their distinctive animation style in a magical tale of a secret world of strange beasts, talking animals and evil governesses

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’
  • AI-powered malware ‘highly likely’ to be used to hack UK infrastructure by 2028
  • Who is hacking Europe’s supermarket fridges and freezers, and why?
  • ‘Screams on the level of a Taylor Swift concert’: horny romp Wicker gets the 4DX treatment
  • Shop fridges and freezers across Europe hit by fresh suspected cyber-attack
  • One in a Million review – deeply moving film about displacement, freedom and the upheaval of starting again
  • Unions gain access to thousands of Google workers after UK employment rights overhaul
  • ‘Sad lost souls’: Taika Waititi lambasts critics after Klara and the Sun box-office disaster
  • Hackers send fake nuclear threat alert to Ukraine emergency app
  • ‘It still preys on my mind’: readers on their scariest non-horror movies
  • From puregatory to lifehoarding – how best to describe our strange, anxious times?
  • Blockhead review – struggling novelist embraces his inner monster in comic thriller of literary machismo
  • From a life-changing garlic press to a super-glowy serum: 12 buys you’re loving right now
  • Palantir AI tech unused or little used by 29 NHS trusts said to be benefiting from it
  • ‘Funny and self-aware’: why (500) Days of Summer is my feelgood movie
  • Dead Howling review – werewolf hunts zombies in tough-love apocalypse horror
  • ‘We both know how we feel about death and dying’: Rhys Ifans and Laura Linney on their brutally honest Parkinson’s drama
  • I Died review – moving portrait of Tzotzil women confronting patriarchal violence in the Mexican highlands
  • Police use facial recognition to scan one million faces in WA trial leading to 122 arrests
  • Alex Garland’s Elden Ring adaptation is on course to be Hollywood’s goriest ever fantasy movie
  • Parents of woman who died of seizure after ChatGPT misguidance sue OpenAI
  • Investors pull billions in funds from Binance after record $6.3bn hack
  • National Grid to site biggest substation in UK near planned Teesside datacentre
  • Director Michael Mann accidentally shoots himself in the leg at gun range
  • Forget maxxing your life. 2027 must be the year we relax – and start minning
  • Readers reply: with governments asking us to stockpile, can we learn anything from disaster films?
  • Like many authors, I’m bombarded by scam fan mail. I wasn’t prepared for what would happen when I wrote back
  • The US-China trade war seems to have subsided – but the sense of calm is misleading
  • Binance resumes customer withdrawals after record $6.3bn hack
  • Sadiq Khan calls for cap on numbers of robotaxis on London streets

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