Richard Hartley

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Texas accuses Netflix of spying on children in new lawsuit

Ken Paxton accuses streamer of designing addictive platform and falsely representing data collection practices

Trump posts late-night social media spree as Iran war drags on

President posted more than 50 times in three hours, attacking on Obama, NY Times and supreme court

Film industry cannot fight rise of artificial intelligence, says Demi Moore

US actor urges her peers to work with the technology, but stresses it can never replace ‘true art’ created by humans

Google announces raft of free upgrades for Android phones

Tech firm to expand AI capabilities of high-end devices with Gemini Intelligence and says new range of laptops on the way

Head of Microsoft’s Israel branch to step down after inquiry into dealings with Israeli military

The inquiry came after the Guardian revealed Israel used company technology to support mass surveillance of Palestinian phone calls

French film industry at risk from the far right, say actors and directors

Juliette Binoche joins 600 leading figures to warn against a ‘fascist takeover of the collective imagination’

Broadcasters must react to threat from ‘creator journalism’, says ex-head of BBC News

Deborah Turness, who resigned last year, says traditional news in danger of being replaced by personality-led content

Sound baths are supposed to help relax and ‘soothe’ your nervous system. But do any of these claims ring true?

Social media is awash with clips of people paying to be ‘bathed’ in sound. But what’s the science behind the practice?

Tomorrow, When the War Began: a film made in a lab for 2010s Australian teens

It has heart-throbs and a classic soundtrack, but the true resonance of this John Marsden adaptation is its portrayal of growing up in a world rapidly destroyed before your eyes

The end of typing? Why workers are suddenly ditching their keyboards

Employees are now whispering to AI voice dictation tools rather than clacking the keys. Will ‘voicepilling’ make everyone more productive – or just more annoying?

Matching Gary Oldman’s Krapp with a teenager’s take on Godot is a masterstroke

The Royal Court is presenting the Slow Horses star’s version of one Beckett masterpiece alongside 19-year-old Leo Simpe-Asante’s riff on another. They combine beautifully

‘He’s inspired generations’: Stormzy to produce biopic about football great Ian Wright

The Crystal Palace, Arsenal and England striker says his life story – now in development with the rapper’s Merky Films – has ‘hard-hitting moments, but in the end I want it to give people hope and joy’

GameStop’s $55.5bn bid for eBay rejected as ‘neither credible nor attractive’

Online marketplace takes into account uncertainty around US video games retailer’s financing proposal

Trump heads to China to spread the gospel of American tech

Tim Cook and Elon Musk, among other tech CEOS, will accompany the US president on a trip to Beijing

Chasing Utopia review – renegade Google exec Mo Gawdat searches for ethical AI in alarming insider warning

Delivering much information about the scale of what’s coming, documentary also follows Gawdat’s campaign to get the programs with empathy

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Lifting of internet restrictions reveals Iranians’ anger over food inflation
  • ‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin
  • The great Australian nightmare: how the housing crisis inspired a wave of brutal – and funny – pop culture
  • The best fans to keep you cool in 2026 – tried and tested
  • Tony Blair is strong on diagnosis, deluded on prescription: Britain’s ills can’t be fixed by him
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • Samsung memory chip staff in line for £310,000 bonuses after AI profit-sharing deal
  • People in the US: what are your views on Pope Leo’s comments about AI?
  • Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
  • What We Ask Google by Simon Rogers review – the secrets of our search history
  • ‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing
  • Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece
  • Nearly in one in five UK girls receive unwanted images online, poll finds
  • Kiln-free recycled tile startup agrees pilot deal with major UK supplier
  • Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun
  • Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama
  • Paddington 4: Armando Iannucci to write bear’s next movie with Thick of It and Veep cowriter
  • Nasa selects Jeff Bezos’s Blue Origin for first of three uncrewed lunar missions
  • Labour set to announce crackdown on social media for children within weeks
  • Labour says Reform UK ‘in chaos’ as Zia Yusuf publicly tells Jenrick he’s got party’s deportation policy wrong – as it happened
  • ‘The avalanche of slime has been unbelievable’: E Jean Carroll shares life post-Trump in new film
  • Hammer to rerelease 1958 Dracula in UK with long-lost footage added
  • Funny, absurd and sentimental, Mr Deeds is one of Adam Sandler’s most underrated films
  • Iran’s access to global internet starts to resume after 88-day blackout
  • ‘What you see here is a wetland without water’: how the datacentre boom is exacerbating Chile’s mega-drought
  • Musk and Altman’s AI rivalry reaches boiling point as IPO race heats up
  • No Place for Football review – battling ice and snow to play the beautiful game in Greenland
  • Ferrari shares fall after launch of first EV as Jony Ive design proves divisive
  • ‘Hello ladies and sons of ladies’: women are using ‘microfeminisms’ to flip the gender script
  • ‘We can stitch together our past’: the AI-generated time-travellers vlogging from history

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