Richard Hartley

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Glamming up ‘dirty war’: teens in Mexico glorify 1970s secret police on TikTok

AI videos let young people adopt the guise of DFS agents, sparking debate over glorifying corruption and impunity

The Killer review – John Woo’s gun-filled melodrama remains a blood-soaked classic

The director’s 1989 Hong Kong action touchstone is a wild melding of maximalist violence and surreal sentimentality – with added harmonica

US startup advertises ‘AI bully’ role to test patience of leading chatbots

$800-a-day position involves exposing a chatbot’s inconsistencies as it forgets, fudges or hallucinates

Meta on trial over child safety: can it really protect its next generation of users?

New Mexico prosecutors allege Meta prioritized profit, even as child abuse surged on Instagram and Facebook

Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture

Polly Findlay’s barnstorming drama about interpersonal and religious tumult in late middle age is a triumph, swerving any sense of sentimentalism

‘The world was hard – this movie was meant to be a hug’: Ugo Bienvenu on his heartwarming eco-fable Arco

The polymath French film-maker might be a pessimist, but his Oscar-nominated animated film is one of light and hope – even if he did have to fund it himself

Trains review – magnetic cine-essay explores the liberation that the locomotive gave us

The advent of the steam age ushered in a great social revolution, but as Maciej Drygas’s film points out, the technology also took us off the rails

‘All right mate?’: Amazon pins UK hopes on AI upgrade of Alexa

Long-awaited Alexa+ aims to get Britons re-engaging with their devices – but it may have its work cut out

‘We don’t tell the car what it should do’: my ride in a self-driving taxi

Driverless ‘robotaxis’ will be accepting fares in Britain’s biggest city by the end of next year. Can they deal with London’s medieval roads, hordes of pedestrians and errant ebikers? I got in the passenger seat to find out

Inside China’s robotics revolution

The long read: How close are we to the sci-fi vision of autonomous humanoid robots? I visited 11 companies in five Chinese cities to find out

Zendaya and Tom Holland: are the gen Z power couple married? Nine things you need to know

They like to keep things private, but the Hollywood stars keep dropping clues. Did they recently tie the knot – or is this all just promo?

Instagram worse for mental health than WhatsApp, global study finds

World Happiness Report finds platforms focused on connection less harmful than algorithm-driven apps

Google co-founder spends $45m in fight against California billionaire tax

Sergey Brin gives $25m on top of $20m he’s already given to Super Pac trying to block state’s proposed 5% wealth tax

Hunky Jesus review – a hot, oiled-torso Easter from San Francisco’s Sisters of Perpetual Indulgence

Cavorting around the cross and sexualising the saviour, a group of queer drag nuns, performance artists and activists satirise the religious festival in Jennifer M Kroot’s documentary

AI software for smart glasses wins £1m prize for technology to help people with dementia

Glasses use verbal cues and floating text to assist wearers and are expected to be available in early 2027

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Anna Wintour shares Vogue cover with Hollywood doppelganger Meryl Streep
  • Tell us: do you use AI chatbots to make decisions for you?
  • Oh what a circus! The Greatest Showman hits the stage as a high-flying, hammer-juggling, banger-filled spectacular
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • An AI company with an arsenal of spacecraft: what exactly is SpaceX?
  • Row over ‘virtual gated community’ AI surveillance plan in Toronto neighbourhood
  • Musk’s SpaceX courts retail investors as it aims for record-breaking stock market flotation
  • Porn, dog poo and social media snaps: the ‘taskers’ scraping the internet for Meta-owned AI firm
  • ‘There’s a lot of desperation’: skilled older workers turn to AI training to stay afloat
  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Sluts, simps and body shaming: the rise of Africa’s manosphere
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot in reputational glow-up
  • Children in UK report online sextortion attempts in record numbers
  • ‘I felt ashamed and scared’: how an online friendship became a sextortion nightmare
  • ‘Coke and booze didn’t help my creativity’: Joe Eszterhas on his wild times – and his supernatural, anti-woke Basic Instinct reboot
  • Tech companies are cutting jobs and betting on AI. The payoff is far from guaranteed
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Iran’s internet blackout is longest national shutdown since Arab spring
  • Noel Chanan obituary
  • Using AI to speed up Australia’s environmental approvals risks ‘robodebt-style’ failures, scientists say
  • Private jets, deserted shores and an unbuilt resort: alleged links to sanctioned ‘scam’ empire revealed in Timor-Leste
  • ‘Traceability is vital’: labs test thousands of unregulated substances amid peptide craze
  • Do we really need truncheons and pepper spray to fight off London’s ‘feral’ teenage shoplifters?
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • ‘It started with a tipoff’: how a Guardian investigation exposed child sex trafficking on Facebook and Instagram
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • My mother, Audrey Hepburn: the star’s son Sean on her movies, marriages, good works and fascist parents
  • ‘I always considered social media evil’: big tobacco whistleblower on tech’s addictive products
  • Should we be polite to voice assistants and AIs?

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