Richard Hartley

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‘It’s a distraction-free zone’: Gen Z on why they love going to the movies

Filmgoers born after 1997 are reviving cinemas’ hopes of survival. They tell us about the social experience where ‘there’s absolutely no commitment to chat’

Is God Is review – fiery revenge thriller flies from stage to screen

There are echoes of both Kill Bill and Thelma & Louise in Aleshea Harris’s sharply told tale of sisters heading to kill their father

Top Gun review – now impossible to view Tom Cruise’s testosterone-swamped film without affection

This gave a young Cruise entry into the A-list, as the brilliant, courageous rule-breaking pilot, frenemy of Val Kilmer and in love with Kelly McGillis

Post your questions for Tom Hanks and the cast of Toy Story 5

Tim Allen, Joan Cusack and Greta Lee join Hanks to answer your enquiries about the forthcoming animation and its previous instalments

Spit, vomit and a banned baby: Cannes controversies – ranked!

For every standing ovation there’s a riotous backlash – the film festival’s history is littered with boos, protests, furious rows and career-defining disasters

Fit for a king: Ian McKellen to play Lear at newly rebuilt Yard theatre in east London

Role marks a major return for the actor after falling off the stage in 2024 and is a coup for the forward-thinking theatre

Gotta catch an MP! Players ‘debate’ UK politicians in Pokémon-style game

Creator of Politidex hopes free online app will help humanise politics and act as a way of ‘flipping the narrative’

Space Jam review – Michael Jordan’s 90s merch-hocking basketball blockbuster rises again

The Jordan-fronted live-action/cartoon hybrid is 30 years old – and with its R Kelly soundtrack, it feels it. Cue Seinfeld’s Wayne Knight to rescue it for a second time

Anderson juices up the vibes for Dior with spotlight on Hollywood

Designer suggests decision to stage show in Los Angeles is part of strategy to deepen label’s cinema presence

‘I never thought people might feel threatened by us’: YouTuber Curry Barker on his big horror ascent

The 26-year-old has received rave reviews for his micro-budget horror Obsession, support from Ari Aster and control of a Texas Chain Saw Massacre remake

‘There are no rules’: spotlight on Gossip Goblin as AI film-making enters new era

Defying criticisms of ‘slop’ and ‘theft’, the growing culture of AI-powered creativity is attracting interest from Hollywood

Teenage Sex and Death at Camp Miasma review – Gillian Anderson superb in queer slasher spectacular

Cannes film festival: Young indie film-maker Kris tracks down Anderson’s Final Girl for a remake of a beloved horror, to find fantasy and reality collapsed

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh and Ed Solomon provide a vision of haughty Englishness up there with Gosford Park and Phantom Thread

‘Do you want all the scenes to be penetrative?’: how working with an intimacy coordinator made my film better

Largely shunned in France, the work of these consultants is now being recognised at Cannes. Film-maker Anubha Momin describes how they make for more confident movies – and directors

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Lifting of internet restrictions reveals Iranians’ anger over food inflation
  • ‘Put an end to this war’: Russian director Andrey Zvyagintsev makes new plea to Putin
  • The great Australian nightmare: how the housing crisis inspired a wave of brutal – and funny – pop culture
  • The best fans to keep you cool in 2026 – tried and tested
  • Tony Blair is strong on diagnosis, deluded on prescription: Britain’s ills can’t be fixed by him
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • Samsung memory chip staff in line for £310,000 bonuses after AI profit-sharing deal
  • People in the US: what are your views on Pope Leo’s comments about AI?
  • Backrooms review – Kane Parsons’ icily disturbing horror rewrites the genre rulebook
  • What We Ask Google by Simon Rogers review – the secrets of our search history
  • ‘Argentina needs to end its fantasy of being a European country’: Lucrecia Martel on the story of a killing
  • Bullet in the Head review – John Woo’s Vietnam war fever dream is an explosive masterpiece
  • Nearly in one in five UK girls receive unwanted images online, poll finds
  • Kiln-free recycled tile startup agrees pilot deal with major UK supplier
  • Spider-Noir review – Nicolas Cage’s stylish take on the superhero as a 1940s detective is huge fun
  • Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama
  • Paddington 4: Armando Iannucci to write bear’s next movie with Thick of It and Veep cowriter
  • Nasa selects Jeff Bezos’s Blue Origin for first of three uncrewed lunar missions
  • Labour set to announce crackdown on social media for children within weeks
  • Labour says Reform UK ‘in chaos’ as Zia Yusuf publicly tells Jenrick he’s got party’s deportation policy wrong – as it happened
  • ‘The avalanche of slime has been unbelievable’: E Jean Carroll shares life post-Trump in new film
  • Hammer to rerelease 1958 Dracula in UK with long-lost footage added
  • Funny, absurd and sentimental, Mr Deeds is one of Adam Sandler’s most underrated films
  • Iran’s access to global internet starts to resume after 88-day blackout
  • ‘What you see here is a wetland without water’: how the datacentre boom is exacerbating Chile’s mega-drought
  • Musk and Altman’s AI rivalry reaches boiling point as IPO race heats up
  • No Place for Football review – battling ice and snow to play the beautiful game in Greenland
  • Ferrari shares fall after launch of first EV as Jony Ive design proves divisive
  • ‘Hello ladies and sons of ladies’: women are using ‘microfeminisms’ to flip the gender script
  • ‘We can stitch together our past’: the AI-generated time-travellers vlogging from history

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