Richard Hartley

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Paul Thomas Anderson wins first ever Oscar as One Battle After Another takes best adapted screenplay

Director won the Oscar for his critically acclaimed film based loosely on Thomas Pynchon’s novel Vineland

Cassandra Kulukundis wins inaugural casting Oscar for One Battle After Another

Film’s star Chase Infiniti pays tribute to Kulukundis, who has cast nearly all of Paul Anderson’s films since Magnolia

Sean Penn wins best supporting actor Oscar for One Battle After Another

With this, his third Oscar – he won best actor for Mystic River in 2004 and Milk in 2009 – Penn joins an elite band of triple winners, including Daniel Day-Lewis and Jack Nicholson

Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere

Amy Madigan wins best supporting actress Oscar for Weapons

Having been nominated in 1986, the actor sets a new record for the longest gap between nominations before a win

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

The world needs more compliments. Just try not to be weird about it

I’m inspired by Barbara from Stroud, who went viral for her way with a kind word. What we don’t need is the corporate nonsense from the likes of M&S and ‘chief compliments officer’ Gillian Anderson, writes Emma Beddington

AI could give us our lives back – if we don’t blow it

Could we be at the beginning of a change never before seen by humans – allowing us to escape the drudgery of work?

Readers reply: which are more like life, novels or films?

The long-running series in which readers answer other readers’ questions considers what’s ‘realistic’ in what we read v what we watch …

These aren’t AI firms, they’re defense contractors. We can’t let them hide behind their models

From Gaza to Iran, the pattern is the same: precision weapons, chosen blindness, and dead children. The cost of failing to regulate AI warfare is already too high

Peter Bradshaw’s Oscars 2026 predictions: who will win, who should win, who should’ve been in the running?

Will Sinners and One Battle After Another sweep the board as expected, or are there surprises on the way? Our critic shares his predictions for the big-screen triumphs and disasters

America needs a movement to curb billionaires’ power

The country’s 900 billionaires have far too much influence over our government and economy. Here’s how we can reduce the power of the ultra-rich

Royals and celebrities warned to watch words as lip-reading videos go viral

Advisers say to ‘assume the cameras are always rolling’ as exchanges can be decoded in seconds and posted online

Nigeria’s online content creator market has boomed. Can the skit-makers and streamers make it pay?

As platforms make less from advertising, creators are struggling to monetise work – leading to calls for more government investment and tax breaks

Can scientists really resurrect the dodo? Inside the company that says it can

Colossal Biosciences’ CEO says its work follows a ‘moral obligation’ while critics say it’s ‘tech bro’ hype that could undermine conservation

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • ‘Fortnite on steroids’: the virtual gaming worlds transformed to train British soldiers
  • Apple launches legal challenge against UK government demand to access data
  • Fred Stone obituary
  • Vincent Pastore obituary
  • Justin Hardy, director of Wicker Man sequel, dies three weeks before its premiere
  • Spider-Man: Brand New Day makes $932m at box office in second biggest opening weekend in history
  • Children using social media at younger age appear to do worse in school tests
  • Kmart sells out of low-cost rival to Meta camera glasses across Australia amid warnings of ‘privacy nightmare’
  • Best TV shows and movies streaming in Australia this month
  • Lonely planet: why are we addicted to the social media scroll when it is so clearly harming us?
  • Spider-Man: Brand New Day: new characters, new flaws, new tech and brain-exploding future consequences – discuss with spoilers
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • Nolan’s film could make The Odyssey the most sought-after book in the US
  • ‘A reminder of why we have unions’: Matewan writer and director on the film’s lessons for the labor movement
  • Nolan’s Odyssey shows what happens when a leader’s violations are rewarded
  • This Tempting Madness review – watchable psychological suspense offers Mexican standoff of gaslighting
  • Barbie sequel at risk as salary talks with Robbie, Gosling and Gerwig hit impasse
  • The Ribbon Hero review – do-gooder princess battles giant flying earwigs in update of classic yarn
  • Memory review – a cinematic exorcism through a child’s eye view of terror in the Chechen wars
  • The right hates The Odyssey because of its ‘wokeness’ – but it missed an even bigger threat to its worldview
  • Atlas of Disappearance review – forensic quest for thousands of forgotten victims of the Spanish civil war
  • Finally, we have a PM for the digital age. But real change requires more than just being good on camera
  • ‘The greatest arms I’ve ever seen’: Matt Damon’s muscular female stunt double Devyn Dalton
  • What do you wish you could buy in vending machines?
  • Why we’re all obsessed with Jimothy the raccoon, the internet’s animal of the moment
  • Stock market turmoil sheds stark light on the opaque AI economy
  • From The Wizard of Oz to Trainspotting: 25 films to watch before you turn 25
  • UK’s state investments agency hit by data breach
  • The brief life and sudden death of Zyzz: why did the bodybuilding influencer die at just 22?
  • ‘More than just objects’: Australian booksellers raise alarm over ‘horrific’ destruction of rare titles to feed AI

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