Richard Hartley

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Ministers likely to support law change to allow delivery robots on England’s paths

Exclusive: Safety campaigners concerned about plan for widespread deployment on already crowded pavements

‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?

The unconventional actor is releasing a new hip-hop album, the latest unlikely new string to his bow, but the big surprise is that he might actually be great

Once, cyber-attacks required great skill. AI is changing that

Modern AI systems are, in effect, a universal adviser to help people do harmful things. We’ll need to harness AI for defense, too

‘A very good gadget’: taking delivery from the robots of Milton Keynes

Starship Technologies six-wheelers could soon become a more familiar sight across the country under new laws

Black Box: Flight 298 review – there’s a beastie in the hold in airborne conspiracy horror

Low-budget chiller leans heavily on tinfoil-hat paranoia to build its reasonably effective suspense

Done Quixote? Film archivists on quest to finish Orson Welles passion project

Team hope 30 of hours of footage held by three countries will be enough to bring to life film-maker’s vision

‘Genuinely changed my life’: why Groundhog Day is my feelgood movie

The latest in our series of writers paying tribute to their favourite comfort films is a pick for a comedy that demands countless rewatching

Keir Starmer’s attempts to placate big tech were a disaster. Andy Burnham must take a stand

Labour came to power promising to tackle Silicon Valley and stand up to its lobby. But from workers’ rights to online privacy it has failed at almost every turn, says crossbench peer Beeban Kidron

The Last Assassins review – shades of Blade Runner in dystopian thriller shrouded in silty-green murk

Athena Park flees futuristic marauders in a post-apocalyptic tale that looks handsome but very familiar

Why did the BBC hire Ashley Cain? Because it has a warped idea of what young men want

The forefronting of macho personas like Cain’s is cynical, and misses the reality of my generation’s experiences, says Rohan Sathyamoorthy, a 20-year-old writer from London

Fragments of Ice review – fascinating chronicle of Soviet collapse through the lens of a Ukrainian ice skater

Film-maker Maria Stoianova mines her father’s video diaries from the 1980s and 90s to document the decline of communism – and his obsession with western shopping malls

Ring Video Doorbell Pro review: night and day better with new 4K camera

Camera, wifi and design updates bring welcome upgrades to Ring’s top model in wired or battery flavour

‘We’re up against forces that have all the money in the world’: Erin Brockovich on her battle against AI datacentres

In 1993, she squeezed a $333m settlement from a Californian energy company in a scandal over contaminated water. Three decades later, she has a new target in her sights – and it’s global

Australian with retirement savings? You probably own SpaceX

Tech and AI stocks now make up as much as 12% of most balanced superannuation funds, experts say

‘Crypto v community’: 4,000 local US lenders join forces to fight ‘stablecoins’ law

Up to 4,000 community banks fear looming legislation to regulate digital cash will deprive rural firms and farmers of $850bn-worth of loans

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Russia and US seek to block plan for binding rules on autonomous weapons
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Police turn to charities for help with teenagers caught up in online child abuse
  • Google, Meta and TikTok sue California to block law protecting children from addiction risk
  • Winner of the Prix Goncourt literary prize admits to using AI
  • UK government considers smart glasses ban over secret filming concerns
  • Elke Sommer obituary
  • The best Christmas gifts in the UK for dads, grandads, uncles and friends – tested for 2026
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Tech barons cozied up to Trump. What will they do in newly blue America?
  • Activists across Europe prepare two days of protests against datacentres
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • Apple iPad mini A20 Pro review: the best small tablet but with a big price
  • Elon Musk’s nearly half a billion dollars in midterms spending was a flop
  • Datacenters were on the ballot. US voters rejected them
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • ‘Wellness is on the ballot’: why did so many pilates studios tell me to vote in the midterms?
  • US parents and teachers: share your thoughts on Google turning off Search for schools that reject AI
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Albanese government warned it is ‘sleepwalking into another robodebt scenario’ over use of algorithms and AI
  • French blood banks hacked in latest cyber-attack on Europe
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • UK to deploy facial recognition in biggest-ever immigration crackdown
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Very good boys? The dark, dystopian rise of robot dogs

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