Richard Hartley

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Yours for just £228: a Kevin Spacey stainless steel gold-tone Fourth of July ‘adversity ring’

For true patriots with short memories and cash to waste, his limited-edition bling might be an ideal gift

‘If you see one movie this year’: Christopher Nolan’s The Odyssey set to storm the box office

The summer’s most anticipated film will raise epic questions about culture wars, classics and the nature of film-making

US residents angry at datacenters ‘being shoved down our throats’ are recalling officials

People across the country are pushing for moratoriums, and electeds who approve projects are being punished

‘They sing mostly about cows … and peace’: how social media is driving a Maasai music revival

Digital artists from Maa-speaking peoples including the Maasai and Samburu are gaining popularity in Kenya with a blend of traditional and modern sounds

I tested 53 water bottles to find the best for leaks, looks and sustainability: here are my favourites

Ditched single-use plastic bottles but can’t find a good reusable one? I spent months putting dozens through their paces – these are the ones worth buying

The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’

The makers of the blockbusting sci-fi thriller reveal how they made a hit, why Kevin Spacey was almost involved and what went wrong with the sequel

Bugonia to Wicked: For Good – the seven best films to watch on TV this week

Emma Stone is a CEO-maybe-alien in Yorgos Lanthimos’s wild black comedy, and it’s the vibrant conclusion of Cynthia Erivo and Ariana Grande’s Wizard of Oz tale. Plus: The Bodyguard!

‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite

Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptions

3,000% bonuses but a growing wealth divide: South Korea grapples with its AI chip boom

Powered by chipmakers Samsung Electronics and SK Hynix, South Korea is seeing a surge in wealth, but there are questions over who gets to share in the profits

‘Don’t kill music’: Anthony Albanese’s favourite bands beg PM to stop AI companies from stealing their work

A potential deal with the government would allow international tech companies to mine the creative work of Australian musicians. Some of the prime minister’s favourite artists told the Guardian how they feel about it

Lisa Nandy quits X over fears Musk-owned site pushes ‘abuse and misinformation’

Culture secretary says her department will stop using platform, citing concerns over far-right content fuelling violence and division

I’d been craving the immediacy of a phone call. So I scrolled through my contacts and started dialling

While I cherish voice notes and tolerate WhatsApp, I missed the spontaneity and unfiltered rawness of a proper phone call

Bitcoin firm advertised by Nigel Farage loses 15% of asset value

Exclusive: Finance experts warn against investing in bitcoin treasury companies after Stack BTC assets plunge

Social media platforms ‘monetise gore and fringe content’, eSafety regulator tells antisemitism commission

Julie Inman Grant singles out X when giving evidence to royal commission on antisemitism and social cohesion

‘A female Minion would be the beginning of the end’: Pierre Coffin on creepy memes, decoding Minionese and farting bananas

The French animator, director and voice of those lurid yellow assistants to the despicable answers your questions

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Russia and US seek to block plan for binding rules on autonomous weapons
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Police turn to charities for help with teenagers caught up in online child abuse
  • Google, Meta and TikTok sue California to block law protecting children from addiction risk
  • Winner of the Prix Goncourt literary prize admits to using AI
  • UK government considers smart glasses ban over secret filming concerns
  • Elke Sommer obituary
  • The best Christmas gifts in the UK for dads, grandads, uncles and friends – tested for 2026
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Tech barons cozied up to Trump. What will they do in newly blue America?
  • Activists across Europe prepare two days of protests against datacentres
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • Apple iPad mini A20 Pro review: the best small tablet but with a big price
  • Elon Musk’s nearly half a billion dollars in midterms spending was a flop
  • Datacenters were on the ballot. US voters rejected them
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • ‘Wellness is on the ballot’: why did so many pilates studios tell me to vote in the midterms?
  • US parents and teachers: share your thoughts on Google turning off Search for schools that reject AI
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Albanese government warned it is ‘sleepwalking into another robodebt scenario’ over use of algorithms and AI
  • French blood banks hacked in latest cyber-attack on Europe
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • UK to deploy facial recognition in biggest-ever immigration crackdown
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Very good boys? The dark, dystopian rise of robot dogs

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