Richard Hartley

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Mega datacentre planned for outer Melbourne will be six times bigger than a large shopping centre

More than 3,600 people sign petition for careful assessment of proposed AI hub, now a flashpoint for national debate on datacentre boom

Like Trump, Pauline Hanson plays the media and attacks the media simultaneously. Who’s using who?

One Nation is borrowing heavily from the Maga playbook. But constant claims of being misquoted predate the US president’s

The AI jobs apocalypse probably isn’t coming anytime soon

Artificial intelligence may not deliver on its promise of vast economic opportunity at a price that humanity is willing to pay

Treasure as trinkets: Zendaya’s earrings renew debate on ownership of ancient artefacts

Jewellery with origins in Iran worn at an Odyssey photocall turns the spotlight on the trade in archaeological finds

What’s behind Maga influencer Laura Loomer’s about-face on Ukraine?

After a Kyiv visit, rightwing firebrand now supports Ukraine – but perhaps it’s just because Trump favors a winner

Inside the growing vigilante movement to knock out Flock surveillance cameras

An underground network of privacy activists is disabling or destroying the ubiquitous surveillance devices sprouting up across the US

‘People who commit heinous crimes can be victims’: Michael Mann on the provocative power of Manhunter at 40

As a stunning 4K restoration arrives in theaters, the director and cast reflect on creating the disturbing descent into a criminal underworld

The UK’s first TikTok PM? Andy Burnham channels Zohran Mamdani as he hits social media

From Mo Farah to Bus Aunty, new prime minister makes good on promise to ‘do things differently’ when it comes to communication

From Charli xcx to Secret Lives of Gypsy Wives: the week in rave reviews

The glitch-pop great is back with a banger-stuffed new album, and reality TV may have some new stars thanks to Channel 4. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

‘I thought, I’ve tried everything else, why not give AI a shot?’: the long-lost family reunited by ChatGPT

Avtar spent decades wondering what happened to the mother he never got to know. Thousands of miles away, Nicci was haunted by the story of a half-brother given away before she was born. How did a chatbot bring them together?

From A Useful Ghost to Self Esteem: your complete entertainment guide to the week ahead

A woman is reincarnated as a vacuum cleaner in this Cannes prize-winning black comedy, and the uncompromising pop star hits the festival trail

Chuck Russell, director of The Mask and The Blob, dies aged 74

The film-maker, also behind A Nightmare on Elm Street 3, died on Wednesday in his San Diego home

Johnny Depp is playing Scrooge? I am not here for his big Hollywood comeback

‘It’s good to be back,’ says the actor in a new trailer for the forthcoming Ebenezer. Has everyone forgotten about the ghosts of his past?

In The Odyssey, Christopher Nolan worries the end of politeness will destroy civilisation. I fear he’s right

Since I saw the movie, I have found it difficult not to see Trojan horses everywhere. We live now in a state of perpetual distrustfulness

‘Every sentence will be put under pressure’: how we make our Long Reads unputdownable

From plot twists to stunning visuals, our flagship long-form journalism can be as gripping as any beach read. To mark the publication of the summer issue of the Guardian Long Read magazine, we look at the craft that goes into making the stories so compelling

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Russia and US seek to block plan for binding rules on autonomous weapons
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Police turn to charities for help with teenagers caught up in online child abuse
  • Google, Meta and TikTok sue California to block law protecting children from addiction risk
  • Winner of the Prix Goncourt literary prize admits to using AI
  • UK government considers smart glasses ban over secret filming concerns
  • Elke Sommer obituary
  • The best Christmas gifts in the UK for dads, grandads, uncles and friends – tested for 2026
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Tech barons cozied up to Trump. What will they do in newly blue America?
  • Activists across Europe prepare two days of protests against datacentres
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • Apple iPad mini A20 Pro review: the best small tablet but with a big price
  • Elon Musk’s nearly half a billion dollars in midterms spending was a flop
  • Datacenters were on the ballot. US voters rejected them
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • ‘Wellness is on the ballot’: why did so many pilates studios tell me to vote in the midterms?
  • US parents and teachers: share your thoughts on Google turning off Search for schools that reject AI
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Albanese government warned it is ‘sleepwalking into another robodebt scenario’ over use of algorithms and AI
  • French blood banks hacked in latest cyber-attack on Europe
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • UK to deploy facial recognition in biggest-ever immigration crackdown
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Very good boys? The dark, dystopian rise of robot dogs

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