Hannah Khalil’s new play sprang from her surprise at seeing the great Egyptian actor had performed at the Festival theatre in the 1980s. She explains how it entwined with a story of her mixed-heritage identity
Aiming to subvert the all-American exploitation film with progressive comment and a touch of diversity, this horror soon reverts to hokey tropes and carnage
After Donald Trump’s second election, I realised the insidious hold my phone had over my life. So I turned to something I’d loved in childhood to better occupy my attention
Viktor Nordenskiöld’s film follows Ukraine’s deputy minister Olha Stefanishyna as she negotiates her country’s path into the EU, but lacks some of the rigour needed
It’s not just the money-making studio execs – fans, too, are often happy for the darker parts of a subject’s life to be ignored, says Guardian arts correspondent Nadia Khomami