Richard Hartley

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Political hate speech can have real-world fallout. After the alleged attack on Helen Haines, our leaders must act

Social media amplify the worst excesses of what passes for public discourse, while some media outlets foment polarisation

New AI tool can predict cancer survival by a single patient selfie, study suggests

System can estimate a person’s biological age and predict chances of cancer survival from a single photograph

Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year

Nathan Fielder’s secretive Elizabeth Holmes documentary has become a sold-out smash hit and might make Oscars history

Calls to strengthen workplace privacy in Australia as employers turn to AI to track staff

Monitoring tools common in a range of workplaces, including factories, office jobs, delivery work and in retail – often without employees being informed

The Canary news website announces closure after ‘vicious campaign against us’

Leftwing outlet said it had faced ‘multiple attacks’ and ‘malicious lies’ which made its situation unsustainable

AI firm Anthropic to commit 5% of shares to fund for ‘public good’

The $48bn giveaway comes amid concerns about the tech and as the company prepares for a stock market listing

The Night Is Fading Away review – hypnotic homage to cinema as a force for public good

A local cinema becomes a refuge after Javier Milei’s election ushers in an era of far-right conservatism in Argentina

Pedigree chums: why the movies are killing off fewer dogs

Are film-makers wary of alienating increasingly sensitive audiences by offing a pooch? Or is humanity now just too soft to deal with the trauma of a Turner & Hooch?

‘They were brilliant people’: fascinating film reveals a Harlem Renaissance reunion

In the dazzling archival documentary Once Upon a Time in Harlem, a 1972 cocktail party brings together various creative luminaries as they discuss and debate

US teens can access ‘nudify’ apps despite Apple and Google’s parental controls, report finds

Exclusive: Using test accounts, Tech Transparency Project downloaded 135 apps with features to generate nonconsensual nude imagery

Vampire Carnival review – it’s Twilight at the fairground as abs run wild in pointy-toothed tug of war

A mortal twentysomething is caught in a love triangle with two hunky vampire carnival workers in a film with good looks but not much to chew on

A Zack Snyder DC Universe might not have been such a bad thing, after all

After Joss Whedon’s arrival, back in the news with comments from Ben Affleck, the franchise lost a sense of earnest passion that could have sustained a weary DCEU

‘A beautiful dismantling of cynicism’: why Galaxy Quest is my feelgood movie

The latest in our series of writers detailing their most easily rewatched comfort films is an appreciation of a smart, funny and tender ode to fan culture

Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades

Director Joko Anwar uses horror for social commentary as he skewers corruption and hypocrisy with likable silliness and raucous energy

After the Snowmelt review – a fatal disaster in a snowstorm leads to devastating act of remembrance

Yi-Shan Lo returns to Nepal to follow the route of her best friend’s ill-fated hike in a harrowing but cathartic documentary

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← Older posts

About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Political hate speech can have real-world fallout. After the alleged attack on Helen Haines, our leaders must act
  • New AI tool can predict cancer survival by a single patient selfie, study suggests
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year
  • Calls to strengthen workplace privacy in Australia as employers turn to AI to track staff
  • The Canary news website announces closure after ‘vicious campaign against us’
  • AI firm Anthropic to commit 5% of shares to fund for ‘public good’
  • The Night Is Fading Away review – hypnotic homage to cinema as a force for public good
  • Pedigree chums: why the movies are killing off fewer dogs
  • ‘They were brilliant people’: fascinating film reveals a Harlem Renaissance reunion
  • US teens can access ‘nudify’ apps despite Apple and Google’s parental controls, report finds
  • Vampire Carnival review – it’s Twilight at the fairground as abs run wild in pointy-toothed tug of war
  • A Zack Snyder DC Universe might not have been such a bad thing, after all
  • ‘A beautiful dismantling of cynicism’: why Galaxy Quest is my feelgood movie
  • Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades
  • After the Snowmelt review – a fatal disaster in a snowstorm leads to devastating act of remembrance
  • The one change that worked: I deleted Instagram – and embraced the joys of a truly private life
  • ‘No influencers’: the hotels, restaurants and beauty spots restricting photoshoots
  • Kylie Minogue songs already used to train AI as tech firms ‘strong-arm’ Australian government, music body warns
  • Elizabeth Holmes documentary You Can See Everything debuts with huge $15m opening weekend
  • What are self-replicating ‘AI worms’, and why is Anthropic worried about them?
  • Microsoft pulls out of AI datacentre project in Essex over power supply concerns
  • World leaders must wise up to threat of cyber-attacks or rogue fridges will be least of their worries
  • The best toys and gifts for eight-year-olds, tested by eight-year-olds
  • Margaret Hamilton obituary
  • World Bank says ‘small AI’ could transform developing countries
  • Ali G answers his critics: ‘Me ain’t the first intellectual to get haterz’
  • ‘I felt disgusted’: MEP speaks out over nude deepfakes and urges EU action
  • ‘The strategy is to humiliate’: influencers and the ethics of ‘rage-bait machine’ street interviews
  • Jonathan Glazer was ‘shocked into silence’ by NAZA documentary
  • 7 Miles Out review – Carol Morley’s funny-poignant self-portrait of teenage kicks in Stockport

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