Richard Hartley

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Meta and Google trial: are infinite scroll and autoplay creating addicts?

Features woven into the fabric of platforms have been central to landmark social media harm case in US. How do they work?

New study raises concerns about AI chatbots fueling delusional thinking

First major study on ‘AI psychosis’ suggests chatbots can encourage delusions among vulnerable people

Don’t denounce Timothée Chalamet for what he said about opera and ballet – prove him wrong

For these art forms to thrive, they need to attract young people. The Oscar contender’s comments are just the conversation starter they need, says actor and author Rebecca Humphries

‘You cannot unsee it’: what happened next for this year’s Oscar documentary nominees?

Films about prison abuse, ovarian cancer, women’s rights in Iran and more have impressed the Academy, but what real-world impact have they had?

‘Everyone will tune in – she’s one of our own’: Jessie Buckley’s home town abuzz before Oscars

Excitement in Killarney will reach fever pitch on Sunday, when the actor is hotly tipped to become the first Irish woman to win best actress

Invisible datacentres and capricious chips: is UK’s AI bubble about to burst?

Datacentre investment boom is one of the biggest infrastructure gambles of this era, and Britain may be uniquely exposed

How to Make a Killing to Wu-Tang Clan: your complete entertainment guide to the week ahead

Glen Powell indulges in some murder most profitable, and the influential rap collective arrive in the UK complete with a clutch of peerless classics

Fake rooms, props and a script to lure victims: inside an abandoned Cambodia scam centre

Sprawling compound, including mock-up banks and police offices, uncovered by Thai military during border clashes

‘I’m wearing the tree fibre undies right now!’ An audience with the organisers of the Oscar goodie bags

Diamond watches, customisable pre-nups and five brands of marijuana are amongst the rich pickings for the starfluencers in line for acting honours. Our film critic gets a preview

Apple cuts China App Store commission fees after government pressure

The move, which lowers fees to 25%, is a breakthrough for Chinese developers Tencent and ByteDance

With $200m to spend on the midterms, crypto hopes to repeat its 2024 success: ‘It’s the most critical time’

Candidates in both parties – but mostly Republicans – are seeing cash infusions after merely indicating support

Sinners or One Battle: what can we learn from this year’s anonymous Oscar ballots?

While Academy voters are supposed to keep their picks secret, another batch of anonymous ballots have leaked – giving us some insight on a hard-to-call race

Will AI take Australian jobs, or is it just an excuse for corporate restructure?

More than 1,000 Australian tech jobs have recently been cut, with companies citing AI productivity gains. But that’s not the full story, experts say

King Conan is Arnold Schwarzenegger’s chance for a late-period masterpiece, like Clint Eastwood’s Unforgiven

If the long-mooted third instalment of the 80s sword and sorcery series finally gets off the ground, it could be Arnie’s chance to go from ageing action hero to cinematic totem

From Björk’s swan dress to Céline’s back-to-front tux: the most iconic Oscar red carpet looks

Ridiculed, ‘memed’ and consigned to worst-dressed lists, seven standout Oscar outfits from over the years

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About

  • About Richard Hartley
  • Richard Hartley’s Work
  • Location

Film & Tech News

  • Meta and Google trial: are infinite scroll and autoplay creating addicts?
  • New study raises concerns about AI chatbots fueling delusional thinking
  • Don’t denounce Timothée Chalamet for what he said about opera and ballet – prove him wrong
  • ‘You cannot unsee it’: what happened next for this year’s Oscar documentary nominees?
  • ‘Everyone will tune in – she’s one of our own’: Jessie Buckley’s home town abuzz before Oscars
  • Invisible datacentres and capricious chips: is UK’s AI bubble about to burst?
  • How to Make a Killing to Wu-Tang Clan: your complete entertainment guide to the week ahead
  • Fake rooms, props and a script to lure victims: inside an abandoned Cambodia scam centre
  • ‘I’m wearing the tree fibre undies right now!’ An audience with the organisers of the Oscar goodie bags
  • Apple cuts China App Store commission fees after government pressure
  • With $200m to spend on the midterms, crypto hopes to repeat its 2024 success: ‘It’s the most critical time’
  • Sinners or One Battle: what can we learn from this year’s anonymous Oscar ballots?
  • Will AI take Australian jobs, or is it just an excuse for corporate restructure?
  • King Conan is Arnold Schwarzenegger’s chance for a late-period masterpiece, like Clint Eastwood’s Unforgiven
  • From Björk’s swan dress to Céline’s back-to-front tux: the most iconic Oscar red carpet looks
  • ICE agents reveal daily arrest quotas and surveillance app in rare court testimony
  • Oscars 2026: how to watch, nominations, what to read and predictions
  • AI-generated Iran images are widespread. How do we know what to believe?
  • Anthropic-Pentagon battle shows how big tech has reversed course on AI and war
  • ‘Wouldn’t life be easier if I were white?’: inside a provocative race-swap body horror
  • Peaky Blinders: The Immortal Man to The Son – the seven best films to watch on TV this week
  • Why Marty Supreme should win the best picture Oscar
  • A new wave of defiance: the Turkish film-makers standing up to autocracy
  • AI toys for young children must be more tightly regulated, say researchers
  • Snoop Dogg, pigsty fights and the wrong kind of snow: Cillian Murphy and Barry Keoghan on making the Peaky Blinders movie
  • Every Brilliant Thing review – Daniel Radcliffe sells tricky Broadway transfer
  • The kill line v Chinamaxxing: a window into how China and the US see each other
  • ‘IG is a drug’: jury to deliberate as US trial over social media addiction wraps up
  • Google’s former Europe boss close to becoming next head of BBC, sources say
  • KPop Demon Hunters sequel confirmed at Netflix: ‘This is only the beginning’

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