Mike McCahill 

Pink review – subtle drama that grapples with India’s rape culture

This story of a shaming campaign against three young Delhi women makes a powerful and progressive statement
  
  

Moral authority … Amitabh Bachchan in Pink.
Moral authority … Amitabh Bachchan in Pink Photograph: film company handout

Another notable stride forwards for Hindi cinema: a naturalistic drama that forms a serious attempt to grapple with India’s rape culture. An arresting first half subverts Bollywood’s beloved battle-of-the-sexes trope via the slow ratcheting up of a shaming campaign against three young Delhi women, after one among them has to violently repel a well-connected male contemporary. If the subsequent courtroom drama initially feels conventional, it leans closer to March’s critical Court than recent melodrama Rustom, finding sophisticated dramatic means to interrogate the double standards at play in Indian society. Among an electric ensemble, Tapsee Pannu, Kirti Kulhari and Andrea Tariang give unwavering voice to the girls’ struggles; Amitabh Bachchan brings his moral authority to bear as their sole legal ally. Trigger warnings may be obligatory, but that’s testimony to how close the film gets to uncomfortable truths – and how well those have been shaped into this progressive, provocative, powerful statement.

Watch the trailer for Pink on YouTube
 

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