Philip French 

The Lavender Hill Mob — review

A hesit spoof that is one of the finest films to come out of Ealing Studios stands the test of time, finds Philip French
  
  

lavender hill mob
Alec Guinness and Stanley Holloway in the Lavender Hill Mob. Photograph: Cine Text/Sportsphoto Ltd. / Allstar Photograph: Cine Text/Sportsphoto Ltd. / Allstar

First seen in the summer of 1951, year of the Festival of Britain, this heist spoof is one of the most glorious gems in the Ealing crown, with a fine script by wartime copper TEB Clarke and marvellous black-and-white photography by Douglas Slocombe, who shot Hue and Cry and Kind Hearts and Coronets. The Old Vic's Guinness, speaking with a slight lisp that gives his sad, nervous nonentity a curious edge, and music hall comedian Stanley Holloway, all brash confidence, are perfect as the bullion thieves who recruit inept, small-time crooks Sid James and Alfie Bass for the eponymous band of south London villains. Inventive, economic, masterly.

 

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