Philip French 

My Brother the Devil – review

An impressive coming-of-age drama set in east London is let down by its treatment of homosexuality, writes Philip French
  
  

James Floyd and Fady Elsayed in My Brother the Devil.
James Floyd and Fady Elsayed in My Brother the Devil. Photograph: PR

In her accomplished debut, writer-director Sally El Hosaini shuffles the deck of working-class, multi-ethnic east London coming-of-age movies. In this case the sons of a hardworking Egyptian-born bus driver on a Hackney estate make the usual mistakes of joining rival gangs, carrying knives, buying guns, dealing drugs.

It's better than several recent versions of this material but facile in the treatment of homosexuality, which is crudely injected into the plot. The performances are uneven, but as the brothers, Floyd and Elsayed are both rather good.

 

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