‘My slogan is very simple: no education, just liberation!’ – Béla Tarr on how film can fight the political right in Hungary

The Hungarian film director is known for his existentially daunting black and white films. He explains why he left his home country to run his own film school, and why he loves Chekhov, Hitchcock – and Gus Van Sant

A Prince review – queer erotic drama of sexual enlightenment through gardening

Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

The Imaginary review – beguiling fantasy from Japan’s Studio Ponoc

A young girl and her made-up friend are separated in an exquisitely drawn anime reminiscent of Studio Ghibli

‘In Europe, everyone’s screaming kill, kill, kill’: Stellan Skarsgård on Sweden, ‘silly’ Scandi noir and security

The Swedish actor is playing a bamboozled police officer in What Remains, a film written by his wife and starring one of his sons. He looks back on mixing Marvel with arthouse, taking risks with Lars von Trier and Sweden joining Nato

Green Border review – an angry and urgent masterpiece about Europe’s migrant crisis

Agnieszka Holland’s vital drama about refugees stranded between Belarus and Poland could hardly be more topical

Anouk Aimée was an entrancing 60s movie icon with an air of glamorous unknowability

The star of La Dolce Vita and A Man and a Woman, who has died aged 92, had a unique screen presence that was at once alluring and forbidding

Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92

The French actor was one of the key faces of the New Wave, starring in classics by directors including Federico Fellini, Jacques Demy and Claude Lelouch

Àma Gloria review – French coming-of-age drama is a modest gem

Marie Amachoukeli’s low-key tale of a child and her nanny boasts a star turn from six-year-old Louise Mauroy-Panzani

Hounds review – grim and quirky Moroccan crime drama

An ex-con and his son spin around Casablanca trying to dispose of a huge corpse in Kamal Lazraq’s good-looking, if uneven, Cannes winner

Here review – low-key love in Brussels

A moss specialist and a Romanian labourer connect over homemade soup in Bas Devos’s lovely, intimate film

The Beast review – Léa Seydoux mesmerises in wildly ambitious sci-fi romance

Bertrand Bonello’s head-spinning Henry James adaptation set in 1910 Paris, 2014 LA and an AI-controlled 2044 casts a dreamlike spell

Slow review – terrific Lithuanian drama of an atypical romance

Marija Kavtaradze’s affecting film explores the relationship between a passionately physical woman and a man who is asexual

In Flames review – unsavoury revelations in patriarchy horror thriller from Pakistan

All the creepy tropes come out of the closet when a mother and daughter battle unknown forces after the father bites the dust

Cannes 2024 week two roundup – scuffles, screwballs and spellbinders

While there’s no out-and-out masterpiece this year, and at times more fun to be had watching the audience fighting, Sean Baker’s acid class comedy, Jacques Audiard’s drug-lord musical and India’s first Palme d’Or contender in decades are knockouts

All We Imagine As Light review – dreamlike and gentle modern Mumbai tale is a triumph

Payal Kapadia’s glorious film is an absorbing story of three nurses that is full of humanity