Richard Hartley

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‘The main issue was always the hijab’: the Iranian directors arrested for their gentle septuagenarian comedy

Maryam Moghaddam and Behtash Sanaeeha, makers of My Favourite Cake, received an ovation at the Berlin film festival while under house arrest in Tehran. They speak about the struggle of creating art under a dictatorship

Fawzia Mirza and Amrit Kaur on The Queen of My Dreams: ‘People want to hear more queer Muslim stories’

Mirza’s feature debut may have started with a wish to better understand her conservative Pakistani mother, but the joy it finds as it hops from 90s Canada to 60s Karachi speaks to big questions about south Asian identities

The Count of Monte Cristo review – highly enjoyable French costume spectacle

Three Musketeers screenwriters Alexandre de La Patellière and Matthieu Delaporte move on to Dumas’s swashbuckling tale of revenge with verve

‘Everyone recognises her now – me, not so much’: Arthur Harari on how Anatomy of a Fall catapulted him and Justine Triet to film power couple status

The Oscar-winning co-writer of Anatomy of a Fall on starring in a new hit courtroom drama, his fear of a rightwing France, and why he’d rather be behind the camera than in front of it

Paradise Is Burning review – compelling Swedish drama of three abandoned sisters

United by love and feral freedom, the girls dodge the clutches of social services in Mika Gustafson’s beautifully performed feature debut

Black Dog review – ex-con and stray dog bond in searching Chinese social drama

Guan Hu’s low-key Cannes winner is a heartfelt tale of redemption set against the dramatic backdrop of the Gobi desert

The Count of Monte Cristo review – a good-looking gallop through Dumas’ tale of revenge

Pierre Niney plays the man behind the multiple masks in this fast-moving adaptation that needs a touch more finesse

French film star Alain Delon dies aged 88

Celebrated actor and star of Plein Soleil and Le Samouraï has died, his children have said

Only the River Flows review – stylishly enigmatic Chinese crime drama

An overburdened detective investigates a series of murders in 1990s rural China in Wei Shujun’s slow-burning noir

Only the River Flows review – accomplished Chinese noir is intriguing and ingenious thriller

An ambitious police detective attempts to solve a series of murders from a disused cinema in director Wei Shujun’s crime drama

Werckmeister Harmonies review – Béla Tarr’s brooding masterpiece of a town sleepwalking into tyranny

Tarr and Ágnes Hranitzky’s 2000 film moves slowly around a small town where a very strange circus has arrived. Its eerie power has only grown in a time of rising fascism

About Dry Grasses review – rich, engrossing Turkish epic with a twist

A village teacher is accused of inappropriate behaviour in Nuri Bilge Ceylan’s handsome, beautifully performed, three-and-a-half-hour fable

Coma review – vital signs are weak in Bertrand Bonello’s mopey lockdown drama

There are stabs of the same fear that made The Beast fascinating, but this tale of a bored teenager in a scary, affectless future is too unfocused

Crossing review – terrific Istanbul-set culture-clash drama

A stern Georgian ex-teacher on a mission to make amends with her trans niece learns a thing or two in Levan Akin’s rich, rewarding ensemble film

Shayda review – tense Australian-Iranian domestic abuse drama

A woman is determined to create joy for her daughter while struggling to escape her violent husband in Noora Niasari’s assured debut

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About

  • About Richard Hartley
  • Richard Hartley’s Work
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Film & Tech News

  • Can a $159 Bluetooth sleep mask help you snooze better? I tested to find out
  • How Belfast knife attack became the latest far-right ‘trigger event’
  • Crackdown on tech platforms will go ahead despite US intervention, says No 10
  • Peabo Bryson obituary
  • Disclosure Day review – close encounters of a deferred kind in Spielberg’s conspiracy spectacular
  • ‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras
  • All signs point to Trump pushing AI growth
  • UK regulator orders social media firms to adopt measures to stop viral illegal content
  • Amazon’s main UK arm handed £7.6m tax credit as profits soar to £355m
  • I watched as Meta’s threats stopped Sarah Wynn-Williams from speaking – we must have stronger rights for whistleblowers
  • Bank of England warns of AI scams as deepfakes of Farage-Bailey fight spread
  • Think Musk the billionaire was bad? Brace yourself for Musk the trillionaire
  • ‘A man of great appetites’: what’s it like to be a dictator’s personal chef?
  • Signal One review – Dennis Quaid and David Thewlis ballast high-concept, low-risk first contact yarn
  • White House urges UK not to ban social media for under-16s
  • Pink Narcissus review – garish colour and dreamlike images in a homoerotic vision of 60s New York
  • Doctors and NHS could be sued for mistakes made by AI tools, report warns
  • Let this be a warning – if Europe worries about Trump, it has even more reason to fear JD Vance
  • Tuesday briefing: Is a social media ban in the UK enough to help protect young people?
  • World’s first wind-powered underwater datacentre starts operating in China
  • French star Patrick Bruel held by police investigating new sexual assault allegations
  • Plan for AI legal assistants in England and Wales ‘cannot replace funding and staff’, lawyers say
  • Child sexual abuse victims in England and Wales to get help to remove online images
  • OpenAI confidentially files for initial public offering on US stock market
  • Apple debuts revamped ‘Siri AI’ and new child safety features for iPhones and iPads
  • The Guardian view on children and the internet: rolling back big tech’s untrammelled power
  • Rushed social media ban for under-16s in UK could ‘unravel’, charity warns
  • Child phone nudity law could largely end online child sexual abuse if widely adopted, Jess Phillips claims – as it happened
  • Revealed: the ‘less lethal’ weapons Australian police don’t want you to know about
  • If Australian datacentres are going to power the AI revolution, we deserve a fair return

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